Remember that great classic record… that never happened – The Deepest Soul of Otis Redding: Lonely & Blue

Since the book just came out, thought I might repost this one – enjoy

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A number of years ago I stood in front of a very large glass case. Wreckage from a plane and a name on the wall beside it was the sheer bullshit that the rock hall had displayed… as if this was some kind of legacy worthy of the talent that had been Otis Redding.

As I looked around this Cleveland cathedral there was no explanation as to who he was and why he was in the hall of fame. The man who had put the mighty Stax on his back and commanded that you listen; the soul king who had the greatest band, Booker T & the MG’s as his own personal musicians in the studio; this giant who was arguably the strongest voice to emerge out of soul music’s greatest era (that saw the height of careers such as Ray Charles, Aretha Franklin, Wilson Pickett and James Brown); was…

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In a land built on “Bullets & Rocks” or Calexico – Edge Of The Sun

I am SOOOOO loving this record right now! Thought I’d repost.

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calex1 

Some of the most beautiful music has drifted from the desert into my imagination and consciousness. Even without the understanding of specific lyrics a visual can be created of open sky, run down saloons, dusty boots and people who are thirsty, broken and are in search of escape. Such is the landscape that Calexico creates in its musical atmosphere. It isn’t enough for them to write a bunch of singular songs that are placed together to create an album. They carefully craft a soundtrack that puts together music for an emotional response. Their blend of Mariachi-Americana brings up a south-west location, but the camera then pans towards the setting sun and you’re hooked.

They may be rooted in a folk tradition, but they never stay wrapped in it long enough to be indebted. Instead they surround themselves with players that can pull sounds and influences from the world over…

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Alabama Shakes – Sound & Color

Just got printed on theedge.ca / citizen edge. so I thought I would repost

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sound&color

If Alabama Shakes debut Boys & Girls was a first shot across the bow against musical mediocrity, then Sound & Color is a full on declaration of war. Not content to merely ride the wave of being the best rock ‘n’ soul or Southern rock band to currently grace the planet, they expand and grow. It’s the kind of growth and experimentation one got from Radiohead when they leapt from The Bends to OK Computer; or in other words – WOW!

Their sound might have originally been rooted in 1960’s Memphis, but damn, they just pulled in the 70’s funk and threw it into a blender with Bacharach on the song “Guess Who.” Then they give you a trip to so-cal on “Shoegaze” and fly off to Philadelphia Soul with a twisted Gibson/Marshall feel on the song “Dunes.”

The vibe is all over the rock music landscape and Brittany…

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A Glorious Bit Of Ragged String Bending or Foo Fighters – Medium Rare

Just felt like re-posting this. It really is a fun record.

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foomediumrare

Foo Fighters have always enjoyed putting out limited and rare b-sides for their hard core fans, but finding them all can be a big frickin’ problem. To solve this minor dilemma, they compiled the whole lot of cover songs as an album for Record Store Day 2011 and dubbed it Medium Rare. The vinyl included thirteen songs from various EP’s, singles and soundtracks. The CD version, which was released as a companion to Q Magazine subscriptions, was missing the Prince cover of “Darling Nikki.”

As cover albums go, the songs are over the spectrum including numbers from Prince, Joe Walsh, Husker Du, Paul McCartney & Wings, Cream, Gerry Rafferty and few others. The whole album sounds great and gets held together by the Foo Fighters enthusiasm for the material. Taylor Hawkins vocals sound stellar on “Life Of Illusion” and the guitar solo on “Baker Street” is a genuinely glorious…

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Technicolor Horror Story or Faith No More – Sol Invictus

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fnmsolinvictus

So much more than just another ‘alt-rock’ or ‘metal’ band Faith No More could pack influences into music so tightly I would have no other choice but to call it ‘genre skipping.’ Crazy as that sounds they do it in individual songs. Funk, hip hop, metal, and even easy listening soft rock balladry naturally bounce around so well you’ld think they were a basketball.

Add that to the fact that Mike Patton is the best living rock vocalist on the planet (seriously, he has a vocal range that stretches six octaves) and you have a powerful explanation as to why music fans are salivating at the mere thought of a new Faith No More record.

Eighteen years between records and Faith No More not only picks up from where they left off, but do it as if both a love letter to fans and kiss off to anyone else. In…

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Musical Memories – Get The F#!K Outta My Way! Aug 18, 1993: Neil Young w/Booker T & the Mg’s / Pearl Jam / Soundgarden / Blues Traveller

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Sitting alone on the bus bound for Toronto I looked down at my feet and exclaimed “Oh shit!” louder than I should have. People turned to see this large man who looked more biker than student, wearing a pair of headphones shaking his head at his own stupidity. Sandles… I was wearing sandles to a freakin’ big ass concert at the Exhibition Stadium. Worse, it was general admission floors and I realized that I had made a huge mistake.

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I hook up with my girlfriend at the bus station, and meet with my roommate at the show as Blues Traveller put on a set that was entertaining to the few people who had arrived. I had expected a large crowd for Soundgarden who were still touring Badmotorfinger but that didn’t really materialize either. Despite low turnout for their set Cornell and co. put on a great performance. When they left the stage, that’s when things started getting weird. The crowd started filling in, but it wasn’t too bad until Pearl Jam walked on and the opening chords of “Go” rang out. Finishing the last dates supporting Ten, and having just finished the as yet unreleased VS. Pearl Jam was at the top of their popularity. Suddenly every kid who had a seat relinquished it and started breaking for the floor. Security was helpless as hundreds of people started to rush the stage.

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I was perhaps 50 – 60 feet from the band when this started and within just a few seconds I was thirty feet from them; except I had not taken a single step. It was a current of kids turning into rapids. My girlfriend started to stumble. At that moment a mixture of fear, anger and adrenaline took over. I grabbed my future wife, said excuse me to the first couple people, and with no other choice just started pushing through the crowd sideways. Each step I became angrier and despite the music I could hear screams of pain in the distance. Finally, the three of us came into a bit of a clearing when some poor kid, who had my height but was twig thin, ran straight into me.

BANG!

He looked down, went white and murmured, “I’m sorry.”

I didn’t have to look down to know what had happened. His Doc Marten kicked my big toe nail, and ‘pop’ my foot was now a bloody mess. All that adrenaline went straight to my chest and I bellowed “GET THE F#!K OUTTA MY WAY!!!” He disappeared in a shot. We went to a concession stand got a few napkins and then watched the rest of Pearl Jam’s set from the furthest seats of the stadium. Pearl Jam finished with a rousing rendition of the Who’s “Baba O’Riley” and left the stage. As they did so did the Pearl Jam fans. Hundreds just left.

We made our way back to the floor which was now civilized and found ourselves pretty much where we were standing before all the chaos.

Neil Young took the stage with the legendary STAX band Booker T & the MG’s and knocked through a set that pulled from both his acoustic and electric sides. The crowd was mostly in awe at the aging veterans who were putting on an awesome spectacle. For the first encore Young pulled out his harmonica and began to play the familiar whistle opening to the late Otis Redding classic “(Sittin On) The Dock Of The Bay” (Booker T &b the MG’s play on that Redding original). Unlike other covers by artists like Michael Bolton, Young didn’t use the song as some opportunity to emote through musical masturbation of vocal range, instead he stuck to the true dreamy nature of the original. Then he went electric again and broke into the Dylan stomper “All Along The Watchtower.” When the band finished everyone left the stage.

For the second encore Young & the MG’s were joined by Pearl Jam for “Rockin’ In The Free World” which delighted fans both young and old.

My girlfriend decided to drive me home when the radio started announcing several injuries due to the crush of people. I looked at my foot, considered myself lucky for only losing a toe nail, and popped Harvest Moon into the tape deck. That was the last time I ever went to Exhibition Stadium. It was torn down in 1999.

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Where To Buy S#!t vol. 1 – Last Gang Records

Well folks, a bit of a change. I’m now doing a bit of writing for Toronto radio station “The Edge.” So, I’m rebranding this little piece to match. Other stuff might come later. Anyway, check it out http://www.edge.ca/2015/05/27/where-to-buy-st-vol1/

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P1000776

Whenever possible I usually try to direct people to a bands website or their label to purchase their record. The reasons for this are pretty simple. One – the actual band gets money flowing directly to them, or at least to the people who work with them. Two – the coolest deals are to be found in these places.

This is the case with Last Gang Records.

The label started as a way to get the music of Metric out to the public and from that point on they’ve grown to support a virtual ton of great acts that include: Metric, Death From Above 1979, K-OS, The New Pornographers, Billy Talent, A.C. Newman, Lindi Ortega and many many more.

As a hunter for cool vinyl to go with the music I love, they usually offer outstanding wax for music fans.

On a post from a few months back, I mentioned…

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Great Driving Song + Amazing Driving Record = Steve Wynn & the Miracle Three – Static Transmission… I Really Want This!

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sw3

I don’t remember where I was or what I was doing. In my imagination it was behind the wheel of a blue ’69 Mustang with windows rolled down and a stereo so loud you couldn’t hear the wind. Dust is flying from behind the wheels and I’m flying at twice the speed limit as “Amphetamine” pushes the speakers to their limit. My hair whips against the front of my sunglasses and the vibrations in my throat tells me I’m singing along, “na na, na na, yeah, na na, na na, yeah.” It’s Saturday, the sun is setting, I have a place to be and I don’t care what time I get there or if I arrive at all. Life doesn’t get any better.

That is how I picture hearing Static Transmission for the first time. It starts in reflective themes and dreamy sequences of “What Comes After” and as CD…

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Where To Buy Shi… Stuff #2 – Let Them Eat Vinyl

Wrote it back in January, but it all still applies>

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Birthdays are awesome! Or at least, my birthday is pretty awesome. There is people you love and food and if you’re lucky, cool presents too. Sometimes the gifts can even surprise you. For instance, one of my most awesome sisters gave me the gift of records – which I love, AND, it was one I didn’t even know existed – even cooler!

Which brings me to this edition of Cool Places to Buy Sh… Stuff…

LETV049LP

The gift I got was the Ramones The Cretin Hop manufactured by the good people at Let Them Eat Vinyl. The Cretin Hop itself is a bootleg taken from a 1979 radio broadcast with a couple tunes added on from appearances on Letterman and the Tonight Show. This printing is a 180 gram yellow translucent double album housed in a pretty cool gatefold sleeve and limited to 1000 copies with further albums to be…

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