Great album… too bad it costs so much or Travis – Good Feeling

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Some things are expected and some things, well, not so much. One very unexpected result of Radiohead’s success with The Bends is that many bands, fairly or not, were lumped into a category of pretenders and wannabes. Some became super popular like Coldplay and the Killers. Some had moderate success in North America, for example Keane. Still others barely made it onto the radar like California’s Paloalto.

Then there was Travis.

By design or not, Fran Healy’s phrasing of vocals bore a resemblance to Thom Yorke which was enough to get the critics calling foul. The thing is, they wrote some really good songs and albums like 1997’s Good Feeling were damn likeable.

Featuring a bunch of well crafted tunes, the Steve Lillywhite produced Good Feeling was by no means a commercial success, but it did act as a great stepping stone towards broader appeal for later releases.

Still, if you’re a vinyl lover, what would getting a copy set you back?

Well, quite a bit. Not a lot of vinyl was being released back in ’97, so that limits the number available. Then you have the fact that Good Feeling wasn’t a big seller during its initial release and again this limits how much vinyl goes into the pressing plant. In the end, you get two options and both will set you back a bit.

The first was the original 1997 U.K. release with the vibrant white cover above. Resellers are asking for over $115.00 plus shipping.

Two years later Good Feeling got reissued with a different cover featuring the band on a black background. One reseller is asking over $200.00 for it and outside of discogs, I couldn’t find any available.

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Basically, if you see one while crate digging, grab it – otherwise it is a small fortune to get hold of a copy. Great record, but the price kinda hurts.

Have we met? or Mumford & Sons – Wilder Mind

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For some music artist’s success is the beginning of that quest for more success and growth is the drive towards a more popular sound. History has given us so many examples and it’s hard to even pick the most relevant story. The end result though is a popular record that you hear playing while a hygienist has weird metal instruments in your mouth at the dentist’s office.

Like Phil Collins era Genesis, or for a more modern example Coldplay, Mumford & Sons has become a band that plays it safe. They drive at the speed limit, obey all the road signs and are the perfect band to play when your mom is in the car with you.

Of course, that doesn’t make this a bad album, songs such as “Believe” and “Cold Arms” are reminiscent of Don Henley’s “The End Of The Innocence” and The Eagles “I Can’t Tell You Why,” while “The Wolf” and “Broad-Shouldered Beasts” lean towards Joshua Tree style U2. However such familiarity with something that is released today makes me wonder about artistry and originality. Wilder Mind is original in that it was created by a group of people writing songs that did not previously exist. From there they spent time in a studio putting together the best possible mix for the songs to take on a life of their own. These guys worked their tails off to put out music the masses would enjoy and for that I greatly admire their dedication towards the craft.

Wilder Mind could become a monster of an album. It has all the ingredients of a blockbuster record. However, like the Hollywood re-boot phenomenon of recent years, it seems like I’ve seen this all before, it’s just a different cast.

You can pick up Wilder Mind everywhere they sell music…