The “Best-est” Album & Concert Ever – Lemonheads – Musical Memories

Just happy I got my copy of “Brass Buttons” today for RSD15. I’ll have new playlist out tomorrow. Hope you enjoy!

ds barrett's avatarbarrettbites

http://www.amazon.ca/Its-Shame-About-Ray-Vinyl/dp/B00HQUQQ9Q/ref=sr_1_3?ie=UTF8&qid=1421972136&sr=8-3&keywords=it%27s+a+shame+about+ray

Back in May of ‘92 I was handed an advanced copy of the Lemonheads It’s A Shame About Ray. It was the very first album review that I did for the now defunct id Magazine, and it was a giant part of “my musical eye opening.” While Seattle had led the world towards what would be called “alternative” (whatever that means) this album slapped me in the face way harder than anything coming out of the so-called grunge scene.

It was twelve songs of pure ‘jangle pop’ joy that played like folk/punk/country/power-pop/lo-fi and whatever other style you decide applies all at the same time. You could play it at a party or a campfire. It had the energy of the Ramones with the pop sensibility of Big Star and the emotional depth of Gram Parsons. Under thirty minutes in length, Ray was a meaningful shot of music that…

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Beyond Classic… Little Richard – Here’s Little Richard

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Some music transcends genres in both its artistry and influence. It stands out as a pillar that helps construct everything that comes after. This may sound like hyperbole but when it comes to those artists in the 1950’s that built the foundations of what would be both today’s popular music and rock ‘n’ roll, most descriptions come off as mere euphemisms.

One can point at Elvis Presley, Chuck Berry, Johnny Cash, Buddy Holly and a few others and pontificate for days about the significance of these artists. Yet they may never capture the real depth and importance.

Then you have Little Richard.

It just isn’t enough to say he laid down the foundation of rock ‘n’ roll, because he works on so many more levels. It’s rock, r&b, soul, funk,  and subsequently how pop music has sounded for the last 60 years.

When I listen to Richard I hear Motown and Stax a couple years before they even existed. I see Elton John’s glitter, James Brown dance and the Ramones screaming out a four count. Oh and let us not even get started on the all out performance.

This is why I say that this record is beyond classic.

Had Richard’s not left Rock ‘n’ Roll for religion immediately following this record, his reputation might very well have risen into the upper echelon of “Rock Gods”, instead of a guy standing around  schlepping fast food deals for Taco Bell.

Forget for a moment that Rolling Stone has this album ranked at #50 in it’s top 500 all-time, and that it made the list of 1001 Albums you must hear before you die. The only important thing is the music itself.

This album is early rock at its most powerful and a blue print to almost every sub-genre off rock since. Yes, it is that good.

Luckily, it is readily available across all formats right now with new re-mastered vinyl editions being released just back in December 2014.

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You can pick up a 180 gram black vinyl edition at your better record retailers, or a limited edition opaque orange (only 500 copies made) copy here.

#1 in so many damn ways… Big Star – #1 Record

History is fluid and changes with interpretation and the times that follow. So, something that was once dismissed or missed can be re-examined and pulled into the light in a way that perhaps it wasn’t before. Such was, is and may forever be the story of how Big Star and their debut #1 Record are considered.

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It is one of the planets greatest rock ‘n’ roll records, and still almost no one beyond critics and hipsters has truly given it the time of day. Sure Rolling Stone has it in their 500 Greatest Records of All-Time, but that doesn’t really result in the kind of record sales and recognition that should be afforded this band.

Obviously, the information is out there, in different formats and many stories told; so I’m just going to point out a few in hopes that you see an opportunity to get yourself some great music.

First, if you have access to Netflix than you can catch the Big Star biography Nothing Can Hurt Me. It is a great examination into the history of Big Star, and also offers an awesome soundtrack of alternate takes from Big Star and their principle songwriters Chris Bell and Alex Chilton.

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Next there is a new biography on Alex Chilton named A Man Called Destruction. It is pretty eye opening and well worth the read.

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Finally, the one album I was here to tell you about on this day, #1 Record. While it would be easy for me to sit here heaping praise, it is easier to just point out its influence. Matthew Sweet, Teenage Fanclub, The Posies, Lemonheads, Wilco and much of the 90’s alt rock pantheon were influenced by #1 Record.

Some of the songs you may recognize from are:

“In The Street” – It became the theme song to That 70’s Show.

“The Ballad of El Goodo” – Has been covered numerous times by acts such as Evan Dando, Mathew Sweet, Counting Crows, Zeus, Wellspring and Wilco.

“Thirteen” – Picked by Rolling Stone as one of the 500 Greatest Songs of All-Time, and I’ll just add, one of the most amazing songs ever.

Anyway, your opportunity is that as vinyl goes, there have been some recently released re-masters that are available. First a little company called 4 Men with Beards was given permission to re-release #1 Record on 180 gram black vinyl. I haven’t found an exact number printed, but it must be at least sizable enough to fill demand.

The second release is a little more exclusive, Newbury Comics with permission of Big Star’s record label Ardent have released 1000 copies of #1 Record on translucent gold vinyl. Trust me when I say, it is awesome!

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In fact, that is kind of my point; #1 Record is one of the greatest albums one can have in their collection. If I printed my version of the top 10 records of all time it would be among them. More importantly, if I was to take off my critic hat and just list my favourite 10 records, again it would sit amongst the top. In fact, it just might be a contender for number one.

Dear God Stop Me; But Which Band Wagon Should I Jump Upon or Courtney Barnett – Sometimes I Sit and Think, And Sometimes I Just Sit…

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Weeks now have gone by and ‘buzz’ is still everywhere about Courtney Barnett. In one day as I trolled only those blogs that have similar interests to my own I found six people writing about her. That was without typing her name or even trying to find anything out. Once you jump into the world of both paper and online publications, well, the raves don’t stop. So I listen and find good reason for all the accolades, but now that I know, what the hell should I buy?

A quick check around and you find out that that not only has she released her stuff across several formats, but when it comes to vinyl, she has multiple versions within the same format.

Option A – Good old fashioned plain single disc black vinyl

Option B – Special Edition single disc orange translucent vinyl with a  lp slipmat

Option C – Deluxe Gatefold two disc orange translucent vinyl with bonus 7”

Option D – Limited Edition gatefold cover two disc heavy weight white vinyl

Now of course your options are somewhat, but not entirely, dependent upon your geographic location. Also, your choice may be dictated to by the amount of paper in the wallet, and how quickly you decide you want it. You see, the U.S. record company only printed 100 of that double orange, but in Europe, I see some for sale. The white version is only in Australia and New Zealand and the shipping is more than the cost of the record – IF – you could find a copy.

My prediction is that buying any of the limited colour vinyl stuff now would save you from quadruple that price later if it is something you want.

The music is great, mucho sarcastic, witty and fun, but I can’t decide which version I’m wanting and how much I’m willing to pay for it…

And some things that should not have been forgotten… are Found! RSD and Husker Du – Warehouse: Songs & Stories

As the weeks become days and the information begins to flow, the list for Record Store Day grows, grows and grows. Things that I didn’t know I even wanted get underlined in red, and some things I had forgotten jump out at me from the shelves themselves on that very day.

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Such was the case on Black Friday/RSD 2014 when I turned to see Warehouse: Songs & Stories by Husker Du sitting on a cart. I had not heard Warehouse since my University days as my “infamous roommate” was a big fan of Husker Du and Bob Mould. Suddenly my brain was straining to remember. Sure I have a CD copy of Candy Apple Grey, but, I couldn’t remember Warehouse until I saw the cover.

This might have been due to the fact that unlike other Husker Du records, it had not been re-issued since its initial release in 1987. It was if Warner had decided it wasn’t worthy of even being remembered.

Well, they were wrong. Two glorious pieces of vinyl, one coloured fluorescent yellow and the other fluorescent green sound absolutely fantastic. Maybe hindsight is leading me a bit, but you can definitely hear the development of Mould’s guitar work and song writing as he drifts towards the more accessible material he would write later with Sugar. Mould himself has stated that Warehouse might have benefited from being pared down to a single record, but it is honestly impossible to figure out where such a cut could be made.

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I couldn’t find out how many of these vinyl editions were made, but it is still available. Discogs have it listed for $38.16, Amazon.ca at $55.60 and E-Bay at $28.04.

What can I say, they both look and sound great, and can still be had for a good price.

 

Holding history in my hand – The Posies: “I Am The Cosmos”

Was listening to this earlier, thought I’d reblog it.

ds barrett's avatarbarrettbites

Back in ’93 I was handed a copy of Big Star’s – Columbia: Live at the University of Missouri. It was my entrance into the world of Big Star. Previous to this I had heard the odd track on my campus radio station as well as seeing numerous references as influences by many of my favorite artists, but I had yet to hear a whole album. One song caught me right away.

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Perhaps the greatest song the rock masses never heard is Chris Bell’s “I Am The Cosmos.” Even for those lucky enough to have heard Big Star back in the 70’s, “Cosmos” was a single that saw only limited release in Memphis in 1978 and certainly never attained (like Big Star itself) national attention. Bell himself would be killed in a car accident later the same year.

Still, like a few other legendary acts (The Velvet Underground, Flying…

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Inspired in Part by Record Store Day – Playlist April 12/15

“Amphetamine: – Steve Wynn and the Miracle Three

Such a great frickin’ driving song if you want to get yourself a speeding ticket… by the way, I don’t recommend the ticket…

“Hoover Dam” – Sugar

I had a review half written called “the Return of Peanut Girl,” but I never finished it. Anyway, Copper Blue sounds awesome on vinyl and you can find it at your better record stores.

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“Deathly” – Aimee Mann

Any excuse to put Aimee Mann on a playlist is a good excuse. Still haven’t heard back from her… I’m guessing she doesn’t read my blog.

“Coming Home” – Leon Bridges

Soul music has a new champion and his name is Leon Bridges. Keep your eyes open folks, this guy is for real!

“Sliver” – Nirvana

Still bummed about missing my shot… maybe another will show up in 10 years.

“You Really Got Me” – The Kinks

After the disappointment of the new Van Halen live, I couldn’t even bring myself to play one of their songs. So here is something way better.

“The Lovecats” – Tanya Donelly & Dylan In Motion

Donelly is awesome and the Cure are awesome, so getting two for the price of one. Now if Robert Smith could cover “Feed The Tree” we… just kidding.

“Someplace” – Nick Waterhouse

He hasn’t put Holly out on Spotify, so I went with “Someplace” from his first record. I will be talking about Holly in the upcoming weeks. Spoiler – it is AWESOME! Buy it here!

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“Ain’t Messin’ Round” – Gary Clark Jr

Just because I wanted to stay in that rockin’ soul vibe.

“My Mind Is Rambling” – The Black Keys

A seven inch split is coming out in Record Store Day of the Black Keys and Junior Kimbrough, so I thought why not throw a Black Keys cover of Junior just for the hell of it. Besides – it fits.

“Touch Me I’m Sick” – Mudhoney

Turns out fictional band Citizen Dick (see movie Singles) is releasing “Touch Me I’m Dick” for RSD 2015. Can’t wait to hear it! Anyway, here is the original song that led to that play on words.

“Everyone Knows” – Joan Jett & the Blackhearts

Jett has a double album being released for RSD, so I put her in the mix… because she is a rock god and I need no other reason.

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“Machine Gun Blues” – Social Distortion

I am so looking forward to getting my hands on that first Social Distortion record next Saturday.

“Alex Chilton” – The Replacements

Another 7” being released this weekend is reason enough… I miss Chilton.

“Back In Your Head” – Tegan & Sara

Um are you picking up on a theme that surrounds a certain date that has rare vinyl being released.

“Runaway” – Del Shannon

I’ll be doing a review on this guy soon.

“I’d Run Away” – The Jayhawks

Read a rather depressing article on these guys recently. Awesome band that can never seem to catch a break…

“The Cuckoo” – Kristin Hersh

Leader of the Throwing Muses and incredible singer/songwriter in a varied solo career (check out Hips & Makers if you need proof) she also has a 7” of “The Cuckoo” coming out on RSD.

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“Brass Buttons” – The Lemonheads

Yep. A split 7” of the Lemonheads and the original Gram Parsons tune is arriving on Saturday.

“Jesus Christ” – Big Star

Only reason I put a Christmas song on a April playlist is because of RSD… irony is, the original release of this song was on a record that had nothing to do with the holiday season either.

Always lookin’ good! David Bowie and RSD 2015

Having just written about Bowie a couple weeks back I didn’t think I’d be mentioning him again so soon, but here we are. With only a week until RSD 2015 it seems he notes another little column, so to speak.

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As early as February it was announced that Bowie would be contributing two 7” singles for Record Store day in the form of a “Changes” picture disc, and a split single with Tom Verlaine on the song “Kingdom Come.” These releases are cool, but somewhat expected as David Bowie has been releasing a series of 7”picture discs over the years to commemorate the various 40th anniversaries of his work as they come up.

However, a limited release of his first album has also popped up in the most recent North American lists for Record Store Day. However, there also seems to be some confusion. I’ve seen some web sites refer to his debut album which was recorded in ’66 but released in ’67, while others have referred to the ep 1966, which contained some early rare tracks by Bowie. It seems more likely that the ep is what is being released as the source gave far more details in explaining that it was re-mastered comes in white vinyl and limited to 2000 copies.

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Regardless, Bowie fans who insist on vinyl and collectors in general should be pretty happy… if they get their hands on it. I pretty much can guarantee you that they will sell out.

 

Dreams of RSD past (FOUND!) and future: Social Distortion – Hard Times & Nursery Rhymes and eponymous

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Occasionally, as you walk through your local record store, and you try to put together a coherent thought, you just see it, a record you wanted badly, but never thought you would get, just sitting waiting to live a new life on your turntable. That is how I found a copy of the 2012 Record Store Day edition of Hard Times & Nursery Rhymes by Social Distortion.

Since its release in 2011, Hard Times and Nursery Rhymes have had four different editions put out all in limited quantities. The pre-orders from their web site were yellow and limited to 1000. The next 2500 to hit store shelves were red, and the last 5000 were black.

The following April, Social Distortion released 2000 RSD editions in green and included with it a “machine gun blues” poster. The great thing is that besides being an awesome record, it still seems to be readily available at decent prices. Discogs have it listed at $37.75, but I picked mine up for less than thirty a few weeks back.

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I doubt highly that this will be the case after this Record Store Day 2015 when their eponymous record is reissued. This is the classic 1990 record (that actually hit the Billboard 200) that contains the stellar “Story Of My Life.” While it was recently (2012) reissued on 180 gram vinyl by Music on Vinyl over in Europe, it is only available here as an import. That is until Record Store Day, when 1500 split colour blue and white copies hit the shelves.

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It is definitely on my wish list and circled in red for high bloody priority find. I will be a disappointed record collector next Saturday if I don’t find it.

You have got to be f&%king kidding me! Van Halen – Live Tokyo Dome In Concert

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I was introduced to Van Halen by a cousin who went to Hollywood High and used to see Roth walking the streets of L.A. pre-fame, and he brought their self-titled debut with him in the summer of ’78 when I was just turning eleven.

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It blew my young mind. I don’t know how many copies I blew through in my Walkman in the early 80’s, but it was on there a whole lot. Then for a few years you could count on a good Van Halen record to be the sound of your summer – even if it was released in December, Van Halen made things great. When “the change happened” and Sammy Hagar took over, it still rocked. Despite what hard core Roth fans say, 5150 was an awesome record for Van Halen and Sammy Hagar fans alike. It still gets pulled out on occasion and put on the old cassette player.

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Then it started to slip, not all at once, but they couldn’t carry you through a record the way they once did. Later the wheels came off all together. Hagar to Roth to Cherone to Hagar to Roth to… it’s irrelevant.

The recent press with Eddie and David and Alex and Wolfgang(?) would have you believe this is a return to those early glory days… it isn’t. As I watched that Jimmy Kimmel concert all I could think was that Roth can’t hold his voice together. Sure he’s lost none of his showmanship, but he can’t, well, um, ah… he wasn’t much of a singer before, and now well… he just can’t fuckin’ sing.

So now you get this Live In Tokyo Dome, which they are proud to say is authentic… no auto tunes or overdubs… the band is great. Eddie can play the way Eddie has always played, Alex sounds like Alex and well, it is all overshadowed by the fact that David can’t sing. Maybe if I was seeing it live in person the spectacle of a big rock show would compensate, but there is no way around it. They had vocal talent… but for whatever reason, they were exiled to Chickenfoot… which is now the better band.

So what you have here is more than two hours of songs you used to love being sung out of tune or just plain shouted. It’s rather depressing; Captain Roth steering the great ship Van Halen right into the iceberg. Just go out and buy the re-mastered vinyl from the Roth years which is all going to be out in the next few months. You don’t want this, it hurts too much.