“Oh Woe is me?” – The Rocky Horror Picture Show Soundtrack

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It isn’t easy to understand how taste and emotional turmoil mix together to breed meaning into songs that were not intended. How a simple line can be grasped on as hormones and depression impact how you hear something, and then you use it like a type of lifeline. So here I am, a young teen, feeling like a big bag of shit, and the Rocky Horror Picture Show Soundtrack is playing in the background at some party. I’m sure there is an unrequited crush somewhere around, because, well, there always seemed to be some sort of unrequited crush going on until I was old enough to not give a shit. (Then it became boy is confused with too many choices… but I digress.)

Now the first half of the Rocky Horror is almost impossible to be depressed to, I mean come on, a bunch of 15-16 year old fools screaming the words to “Time Warp” and “Sweet Transvestite” as if half of them have a clue is always an amusing spectacle. (I can honestly say that at 16, the themes of open sexuality and personal choices/freedoms were lost behind, the “want sex – want sex – want sex” images my brain was interpreting.”)

However, it is song three “Over At The Frankenstein Place” that has always made me return to this album. In my mind, it stands out as another example of a perfect rock influenced pop song. It has a simple message with enough naivety to make you believe in happy endings. In the one line “There’s a light, light in the darkness of everybody’s life” I could slip out of my “oh woes me” life, and believe that even “I” could be happy too. (Yeah, it’s overly dramatic, but, it was also a very long time ago.)

On its own the song can be as happy and uplifting as you want it to be. Put it in a mix between the Beach Boys “Wouldn’t It Be Nice” and the Hollies “Bus Stop” and it fits great. There is just enough syrup to see life in primary colours, which is why I had such a strong feeling towards it as a teen. Somebody saying “everything will be all right” sounds like horse manure when your depressed, but hear it in a song – a light starts to glow over your head. Of course, now there is the inevitable “But.”

As a concept album and movie, the second half holds up musically, but is really so goddamned depressing you have to listen to the first half again to cheer yourself up. The whole ‘happy ending thing’ is just blown to shit with Frank dead, and Brad and Janet climbing out of the mud barely able to look at each other. Like life itself, everything is so much more complicated than a ‘perfect pop song.’

Which leads us to the question – should I buy it on vinyl?

Well yeah, of course!

Order this frickin’ collectors copy from Newbury Comics. Why?

Because my context

And the songwriters context

And anyone else’s for that matter

They don’t mean a thing.

This is a record that has one eye on fun and another on nostalgia and will have you laughing and singing along regardless of any context. The pink translucent vinyl just sends this over the top and makes it the perfect gift for the person who sat beside you as you tossed rice at the screen.

rhc

https://newburycomics.com/rel/v2_viewupc.php?storenr=103&upc=103-2045070N

If I could go back to that guy I was at 16 I’d shake him and say “Relax, shut your face, do the “Time Warp” and stop worrying about all the shit that hasn’t happened yet. Afterall Dude, your still in the first few songs.”

I Really Want This! Big Star Neon Sign

Anyone who collects anything has that one object that is simply unattainable. Usually it is either a cash problem… or it just isn’t available to buy. In my case, it falls into both categories. You see, I have this dream of having a bar that has a single neon sign just off to the side.

This sign

 big star sign

It isn’t just a sign. It is major history in the world of one of my favourite rock bands. It is a story hanging on my wall. It is the ultimate geeky altar to music people who are ‘in the know.’ A way to instantly tell people we worship awesome music in this home.

The sign first shows up on the cover of Big Star’s #1 Record. In fact, it is pretty much the cover.

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Then it shows up again on a tree for the cover of Big Star Live,

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and once more on the movie poster for the Big Star biography Nothing Can Hurt Me.

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It is gorgeous and glorious and the ultimate fan possession.

The cool thing was that a couple years back, some official replicas were made around the same time Omnivore was putting out a special edition of Third/Sisters Lovers for Record Store Day. It was out of my price range.

 

bs third

 

But I still want it… it is one of the coolest memorabilia items in existence… but alas, I haven’t won the lottery yet. Guess a poster might have to do.

http://ardentmusic.11spot.com/merchandise/poster/big-star-neon-star-poster.html

Lego Ghostbusters- Collectors Corner

With Paul Feig having announced his cast for the Ghostbusters re-boot, I figured it as a good time as any to look the original series in Lego. For those of you that didn’t know, Ecto 1 was released in the popular brick toy along with mini figures of the cast a few months back. The unique thing about this project is that the idea for it didn’t come from the minds of Lego itself, but rather from Lego fans and enthusiasts.

LEGO-Ghostbusters-Ecto-1-4

http://shop.lego.com/en-CA/Ghostbusters-Ecto-1-21108

Starting a couple years ago Lego started a line called Lego Ideas. Fans were asked to create their own designs and submit pictures to be evaluated and voted on. Lego Ghostbusters is in fact number 6 in the series. Others have included the Back To The Future Delorien, a Minecraft set, NASA Mars Science Laboratory Curiosity Rover, and a few others.

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What’s cool about this is the process with which they get picked. As mentioned before, the fan (designer) submits plans and photos to lego. The picture is posted on the Lego site and if it gets 10000 votes by people who visit said web page, it goes before a review board. The board then decides if the design gets built, and if it does, not only do you get credit for the design, but you also get a portion of the royalties. (for more info go to https://ideas.lego.com/howitworks) Other sets being considered right now include:

big bang

The Big Bang Theory

Doc Who

Doctor Who

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Star Wars – Lightsabres

The good news is that some of the sets are still available. The bad news is that it likely won’t be for much longer. You can still buy the set at normal retail prices from the Lego Store, but a peek at e-bay shows people already trying to make an unhealthy profit in the collector market.

 

Where To Buy Shi… Stuff #2 – Let Them Eat Vinyl

Birthdays are awesome! Or at least, my birthday is pretty awesome. There is people you love and food and if you’re lucky, cool presents too. Sometimes the gifts can even surprise you. For instance, one of my most awesome sisters gave me the gift of records – which I love, AND, it was one I didn’t even know existed – even cooler!

Which brings me to this edition of Cool Places to Buy Sh… Stuff…

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The gift I got was the Ramones The Cretin Hop manufactured by the good people at Let Them Eat Vinyl. The Cretin Hop itself is a bootleg taken from a 1979 radio broadcast with a couple tunes added on from appearances on Letterman and the Tonight Show. This printing is a 180 gram yellow translucent double album housed in a pretty cool gatefold sleeve and limited to 1000 copies with further albums to be made in black vinyl thereafter. The quality of sound is exactly what one should expect from a live show. It is rough around the edges, but sounds exactly like a Ramones concert should be without the frills and clutter of overdubs and tinkering sounds that plague most major artists live albums. (Honestly, if you flub a part, leave it or pick a different night.)

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It also seems to be part of a loosely based series of albums taken from various radio broadcasts of different acts in their prime. Along with the Ramones you’ll find Bruce Springsteen, Tom Petty, Flying Burrito Brothers, Pixies, Patti Smith, Lemonheads and many others all in similar black and white gatefold sleeve covers. In addition to the Ramones I also have Joe Walsh’s All Night Long which is on 140 gram vinyl and limited to 500 copies. The sound on this one is great, and seems to be a pretty perfect example of Walsh live. (Oddly, whoever wrote the liner notes for the Walsh album needs to Google a little more often as they mix song appearances from the movie soundtrack of The Warriors.)

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The story doesn’t end there. Besides putting out some quality bootlegs, Let Them Eat Vinyl has been responsible for putting the Ramones re-issues out on vinyl for a few years now. It looks like their first wave was all 180 gram limited edition coloured vinyl while the further editions were released on the more standard 180 gram black vinyl.

If you are looking for some quality bootlegs from an assortment of great artists, you should check out the Let Them Eat Vinyl catalogue. You might find something you like. (Can’t wait for my birthday this year.)

http://www.letthemeatvinyl.com/catalogue.htm

Where To Buy Shi… Stuff #1 – Mobile Fidelity Sound Lab

Ok, you have started a vinyl collection and you want to get a few of those classic records you loved so much back in the day. Unfortunately, the used copies you found sound like crap and you don’t know where to turn. Well, first place to stop is… http://www.mofi.com/Articles.asp?ID=255

Mobile Fidelity Sound Lab has been around (with a brief absence) since 1977 and are known for making the best quality vinyl on the market. All their vinyl is put together using the original master tapes and then recorded onto the vinyl at half speed to make sure the music is recorded with “greater precision”. Essentially, Mobile Fidelity are the biggest name in the audiophile vinyl market. Actually they have done similar things with CD’s, and over time I’ve come to own a few of their products. You’ll pay a bit more than the standard vinyl and CD prices, but the end result is worth it. 

For the collector out there ‘mofi’ does all of their vinyl in limited edition quantities of 5000, and once an album has ‘sold out’ you’ll see people asking for huge dollars in the re-seller market. (see Joe Walsh/e-bay links below) 

While my first foray into mofi was a ‘silver’ or  CD copy of Joe Walsh’s Barnstorm,

barnstorm

http://www.ebay.ca/itm/JOE-WALSH-MFSL-SILVER-CD-BARNSTORM-Sealed-/360689034658?pt=Music_CDs&hash=item53fabde5a2 

http://www.ebay.ca/itm/Barnstorm-by-Joe-Walsh-CD-1990-Mobile-Fidelity-Sound-Lab-MFCD-777-/130847271833?pt=Music_CDs&hash=item1e771aeb99

it was my quest to find the first B-52’s record on vinyl that got me into discovering the lengths Mobile Fidelity goes through to release a quality record.

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As it stands, I managed with only a bit of work to get my hands on a copy. Ordering direct from Mobile Fidelity in Canada is costly. The shipping is almost the price of the vinyl itself. However, if the album is still in print, it can be ordered from your local record retailer, or can be found by online retailers within your country of choice. I got mine from Northern Volume and the shipping was free as my order was over $60. (http://www.northernvolume.com/the-b-52s-self-titled-silver-label-audiophile-vinyl-lp-record-from-mobile-fidelity/)

Overall, when the vinyl is put up against the CD copy I own, the vinyl wins hands down. One listen to the opener “Planet Claire” is proof enough. The keyboard/synthesizer is warm and more present within the mix while the guitar seems to hum with slightly more depth. The result is a record that slaps you upside the head with just how damn fine it is – all over again.