With My Friend Beside Me… or The Black Keys – Brothers

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Brothers travelled the roads between Peterborough and Toronto with me as if this album was a best friend. Entertaining me, making me smile occasionally, and telling me outrageous stories as the hours passed. Back and forth I went and so did The Black Keys. After one particularly nasty life experience, the first thing that had me laugh in over two months was the video for “Howlin’ For You.” I mean, how cool is (Sir) Todd Bridges when he does that Samuel L. Jackson badass thing.

Released in May of 2010, Brothers quickly became The Black Keys best selling record, and by that November I knew I wanted to see it spin on my turntable.

Fortunately, the band provided several vinyl options for their fans. The first two are separate but almost identical releases. For North America, a regular 2 disc vinyl copy was put out with a CD and poster in a black gatefold cover. In Europe, it was a 180 gram audiophile 2 disc vinyl set with the CD, poster and same cover. However the big limited release came on Black Friday/Record Store Day when a limited edition became available.

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3000 copies all machine stamped and numbered in an alternate white gatefold cover hit the independent record stores. Brothers contained two 180 gram vinyl discs that played at 45 rpm, an additional 10 inch record with unreleased live material, the CD and a variant of the same poster contained in the other vinyl releases.

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The significance of the 45 RPM should not be understated in this case; vinyl 12” records play at higher speed, have wider grooves and allow the vinyl to carry a bit more sound. Audiophiles claim it gives a greater frequency response, while the rest of us hear an enlarged bass and more dynamic guitar.

When I play my vinyl against the CD, the wax sounds so much warmer and… well, whole. If you ever get the chance you should play a CD or download up against the vinyl and give it a test, I believe you will hear a difference.

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Copies of original vinyl editions of Brothers can still be purchased at all your favourite record retailers. As for the limited edition, you would have to go to the re-seller market on that computer thing and likely pay about $100 plus shipping. But… really, can you put a price on friendship?

Confused, Remorseful & Angry… It’s Awesome! or Sebadoh – Bakesale

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Back in ’93 a good friend turned me towards the lo-fi sounds of Sebadoh and their initial Sub Pop offering Bubble & Scrape. One listen to the fabulous opening number “Soul & Fire” and I became a forever fan.

Bakesale was released in 1994, and was a slight change of direction for the band in that they had refined the sound now and were becoming more accessible to the alt-rock hipsters. Lou Barlow and Jason Lowenstein were capable of breaking your heart at one moment and smacking you in the head another with their confessional lyrics and fuzzed out guitar work.

“What was that you just said, that didn’t make any sense to me, it’s not the way I see it man, I’m almost tired of listening to you” from the awesome “Not Too Amused” comes off all at once confused, remorseful and angry with the music only adding to the emotional impact. These are themes that play out over the course of the whole record.

Some critics call Bakesale Sebadoh’s finest moment; I’m not sure I would go that far as they have several records that have a giant place in my heart. However, it is certainly a great place to begin if you haven’t listened to them before and vinyl is definitely a great option.

Outside of the original ’94 release, Bakesale was re-mastered in 2011 and has a couple options. The first is your basic black vinyl which also came with a download card and is still available at all your finer record retailers. The second, long sold out edition was on grey splatter vinyl and was sold directly from the Sub Pop online store.

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If you are a fan of those essential records from the 1990’s, Bakesale definitely fits the bill. I’m just hoping Bubble & Scrape and Harmacy eventually see a vinyl re-release. Either that or I may have to start hunting down used copies.

Sebadoh is playing at Lee’s Palace in Toronto tomorrow night (May 27).

Who is that Masked Man? or Foxboro Hot Tubs – Stop Drop and Roll!!!

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Green Day has had a few career highlights in terms of records, but one of my personal favorites is an album they didn’t even credit to themselves. The debut of Foxboro Hot Tubs was a splash of early rock ‘n’ roll that crossed the Sonics with the Kinks and just never let up. Gone were the political messages of American Idiot, and back came the sarcasm and pointed lyrical shots that made you a fan back when Dookie came out. From “The Pedestrian” Reverend Strychnine Twitch (Armstrong) sings “it doesn’t take a genius to be an idiot” and while bordering on a playful cliché, it still cuts to the desire for sound bites meant for fun.

Having played the CD recently I made the decision that I wanted a vinyl version to spin and had a need to find out what is available.

Um… well… ok…

There has been and still remains only one option.

Released in 2008, Stop Drop and Roll!!! has a single vinyl printing that also contained a CD version of the record. However, it should be noted that the album was recorded on an old fashioned analog 8 track, making vinyl the perfect medium to hear it.

Don’t go to resellers for the album either as it is still widely available through your local record retailers.

I really hope they do another of these, it really is a great summer blast of fun!

A Roller Coaster Ride! or The Vaccines – English Graffiti

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The Vaccines brand of rock ‘n’ pop has recently been conjuring comparisons to The Strokes but that is both a little obvious and not quite hitting the target. Like most bands that have a quest for timelessness in their music; they are roller coasters that shift left when you think right and ultimately bring excitement to both the peaks and valleys.

In the past they were using a bit of 60’s pop music reminiscent of the early hits of the Kinks, but with English Graffiti they seemed to have filtered it through the 80’s synth pop. “Dream Lover” is a hybrid of Brit-Pop that has more Duran Duran than Oasis in the sound. Then they get you thinking that they will let the good times roll with “20/20” which crosses the Kaiser Chiefs with Motion City Soundtrack.

With energy levels about to go through the roof they abandon it all for a Moody Blues moment in “(All Afternoon) In Love” and later in “I Want You So Bad.”

Lyrically they are pretty quick to turn a phrase and go for the biting one liner, rather than look for a character to drive the story. Album opener “Handsome” provides a pretty good case in point as they drop the line “you think that you look good in whatever they sugarcoat you in.”  The song is all sarcasm and snot with a big F.U. to whomever is trying to sell bullshit for image.

The real point The Vaccines make more than any other is that they want to keep rockin’. English Graffiti isn’t life altering or earth shattering it’s just a fun rock ‘n’ roll record that you play on your way to the amusement park… and really, what more can you ask for.

A Glorious Bit Of Ragged String Bending or Foo Fighters – Medium Rare

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Foo Fighters have always enjoyed putting out limited and rare b-sides for their hard core fans, but finding them all can be a big frickin’ problem. To solve this minor dilemma, they compiled the whole lot of cover songs as an album for Record Store Day 2011 and dubbed it Medium Rare. The vinyl included thirteen songs from various EP’s, singles and soundtracks. The CD version, which was released as a companion to Q Magazine subscriptions, was missing the Prince cover of “Darling Nikki.”

As cover albums go, the songs are over the spectrum including numbers from Prince, Joe Walsh, Husker Du, Paul McCartney & Wings, Cream, Gerry Rafferty and few others. The whole album sounds great and gets held together by the Foo Fighters enthusiasm for the material. Taylor Hawkins vocals sound stellar on “Life Of Illusion” and the guitar solo on “Baker Street” is a genuinely glorious bit of ragged string bending.

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Thing is, trying to get a copy.

Record stores sold out of this a very long time ago and I’ve only seen one copy in the used bin of my favourite record store (or any other for that matter) once in the last four years. Discogs seem to have the most reasonable prices in the resale market with asking prices in the $100.00 range for either of the CD or vinyl.

On the other hand, e-bay resellers have sealed copies with asking prices that balloon to nearly $250.00 for a CD copy and over $500.00 for the vinyl. However, those high prices are by no means an average, and if you have your eyes open you should be able to snag a copy for under $100.00.

I think the best bet might be to hope for a limited re-issue at some point. The market is certainly there for it, let’s hope Grohl and co. decide it is worth doing.

Beautiful Wreckage of Human Fallacy or Rhett Miller – The Traveller

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If the characters in the Old 97’s albums like to party than the characters in a Rhett Miller record wake up to regret it. The line “there’s happiness and then there’s this, whatever it’s supposed to be” from “Jules” is pretty indicative of the confessional rides being taken. Apologies, regret, forgiveness and the need for redemption play out to a background of foot stomping and sorrowful alt-country/Americana.  Of course, it helps that the music is being provided by the alt-country genius of Black Prairie, who have been setting that genre ablaze for a few years now.

Rather strange it seems is the instant dynamic that falls into place between Miller and his new cohorts. After all, Black Prairie is four members of The Decemberists and a couple musical friends who are exploring a different musical style rather than people who live fulltime making music in Nashville.  They do it so well you forget they are in another band at all.

Soft acoustic guitar, a light violin and an accordion permeate over a ghostly atmospheric vocal as played out on “Dream vs. Waking Life” underscoring the hearts desolation at a relationships end. Then later you get the playful banter of a piano carrying a storyteller until the violin starts to do the call and answer thing on “Reasons To Live.” In every case the music is central in creating an atmosphere for Miller’s various levels of turmoil.

The Traveller may not be a concept album in the traditional sense but it runs the gambit of emotional expressions felt when a relationship implodes by reason of human fallacy. No one quite describes self-wreckage the way Miller does, and Black Prairie makes it sound that much more poignant.

The Traveller is available at all the finer music stores and you can pick it up on vinyl here.

Two Glasses Of Wine, One For You and One for the Voice coming from your Stereo or Josh Rouse – The Embers Of Time

 

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There was a point in the early 2000’s that looked like Josh Rouse would become more of a household name. He had released three albums in a row that showed the promise of a great songwriter who was gaining a larger audience and critical praise with each subsequent record. Under Cold Blue Stars, 1972 and Nashville had built a foundation for a promising and what looked like a long career. Then… well, it’s difficult to say. His Brill Building observational song writing just seemed to start blending and newer material started to quickly find a home in the CD collection marked “I’ll listen later.” You know, the albums that eventually find their way into the used bins at the local record store. As a fan, I just couldn’t follow him in his newer direction and I stopped paying attention.

So, a month ago Rouse releases The Embers Of Time and it wasn’t until this week that I finally decided to give it a spin.

WOW!

There it is!

Everything that made me listen before is back plus other influences popping out that I hadn’t seen before. This time, not only has his brand of folksy Americana brought in reminiscences of Carol King and James Taylor, but now you get Paul Simon and Stray Gator era Neil Young added to the mix. Simple observations of a trip to the bar or losing sleep become a musical conversation about how things are going with an old friend. It gets to the point where you pour two glasses of wine, one for yourself and another for the voice coming from your stereo. Sometimes reconnecting leaves you wondering why you ever parted ways in the first place.

The Embers of Time can be found on all the usual music formats including vinyl.

The Greatest Air-Guitar Record Ever! or Green Day – Dookie

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Love it or loath it the 90’s punk revival didn’t go mainstream because of Nirvana, Sonic Youth or any of the other champions of noise from 89 to 93. The exact day it started was February 1st 1994 with the release of Dookie, and it was a monster. It sold 10 million copies in the year following its release and has sold another 10 million since. It was fast, it was fun, it was angry, and it was everywhere! It was the kind of record you knew would be HUGE on a single listen, and believe me, that isn’t an easy thing to say as a critic. Arguably, Dookie may even be the greatest air-guitar record ever!

So from a vinyl perspective, it is an obvious and essential part of the collection, but what is available and where the hell do you start?

Well believe it or not, your options are quite limited. You can find a used copy from 1994, of which a dump load of unofficial copies were also released, or you can buy new and there have only been three “official” re-releases since 2008. The first two are re-issues printed in the US and Europe on black 180 gram vinyl and are still widely available.

The last one is slightly more interesting than the others. It is a limited edition green translucent vinyl that had only 1000 copies printed and were sold exclusively at Hot Topic stores in the US. While the limited Dookie sold out long ago, most Hot Topic vinyl is sold under $30.00.  Resellers are asking over $50.00 for the green vinyl now. Of course, if you have a giant whack of cash, you could buy an original 1994 green translucent vinyl or autographed copy for several hundred dollars on the resale market… but … um… that’s a bit out of my price range.

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If you are looking to get a copy, your best bet is still the 2008 180 gram version which sounds great and can be purchased at very reasonable prices at all the usual places.

 

The Age Of Expiration or Brandon Flowers – The Desired Effect

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Brandon Flowers best asset has always been his ability to convey emotion with even the most basic of lyrical content. Look at the Killers “Andy, You’re A Star” which soars like an epic even if the words are no more than jocular reminiscence.  So now you have Flowers second solo outing which he has referred to as “what the Killers second record should have sounded like” and expectations begin to run high. BUT – that has always been what Flowers does, he shoots from the hip and sometimes he hits the mark and sometimes… well, not so much.

The Desired Effect comes off as being influenced by the biggest stadium rockers of the 80’s. “Dreams Come True” points towards Born In The USA Springsteen and it is followed by “Can’t Deny My Love” which is reminiscent of Security era Peter Gabriel. However both are bogged down with lyrical metaphors that drip of modern country music formula.

Things pick up by “I Can Change” which runs off a sample of Bronski Beat’s “Small Town Boy”, but I’m unsure if the rise in my attention was really due to Flowers song or his chosen sample. There are moments of playfulness (“Still Want You”), tenderness (“Between Me and You”) and renewed love (“Untangled Love”) but again the images seem to conjure little more than a closing sequence of Friday Night Lights mixed with a soundtrack of “the best songs you didn’t hear in the 80’s.”

The Desired Effect has the unfortunate problem of being bogged down in the sounds of a time long past without a twist of something new. It’s a perfectly pleasant listen but it also comes with a quick expiration date.

Black Gold For The Masses or Lou Reed – Transformer

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Commercial success and critical acclaim together or apart are not really the true measure of an artist’s work. History and public acceptance can ‘transform’ the perspective and create a re-evaluation, or revisionist history towards how the art is viewed. No other work quite typifies this more than Lou Reed and his second solo effort Transformer.

With the Velvet Underground, Reed became a beacon to the outsider experience and while album sales were low, critics and musicians had found a kind of anti-hero on whom to heap praise. Once the Velvets broke up, Reed continued his stories and of counter-culture misfits but to a more commercialized effect on Transformer. Produced by David Bowie and his guitarist Mick Ronson, Transformer would be heavily influenced by Bowie’s ‘glam’ movement and blur the same androgynous lines. However, Reed would use his own brand of wry observation and deadpan delivery to create characters that lived with and amongst his crowd as opposed to embodying the characters space as Bowie did with Ziggy and Aladdin.

Oddly, it was “Walk On The Wild Side” a song that spoke of transsexuality, oral sex and drug use that propelled the album to heights neither seen by the Velvet Underground or Reed himself in previous efforts. It wouldn’t be until the 1990’s that “Perfect Day” would become an underground hit.

On its release in 1972, Transformer was given mixed reviews by critics who claimed it was overly “art-y” and overly sexual. History of course has shed new light and Transformer has made just about every magazines ‘Best All-Time’ list.

Despite, or maybe due to its recognition, finding vinyl editions of Transformer is pretty easy, but figuring out what works best for you might get a little more difficult. You can find used copies pretty much anywhere. I’m sure a lot of people bought Transformer to get similar material to “Walk On The Wild Side” only to find that it wasn’t like that. As for new, eight official vinyl editions have come out since 2004 with four in just the last three years. On RSD 2012 a straight re-issue was put out in record stores, and is still the most common new copy you will find. In 2013 – 2014 unofficial green and blue versions were released in the UK. Finally, a few weeks ago Newbury Comics put out a Limited Edition half black and half gold version. There were 1200 copies printed and each was gold stamp numbered.

Due to the sheer amount of what is available, you can get most copies of Transformer for less than $30.00 (including the unofficial UK copies). Only the Newbury edition is commanding high prices on the resale market, and that’s pretty damn silly, because you can still get a copy from Newbury for less than $30.00. The split colour looks awesome and indeed sounds great.

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You can get it here. Anyway, with his recent induction into the “Rock Hall” you can expect some renewed interest and copies of Transformer may begin to disappear. You might want to give that some thought if you’ve been sitting on the fence.