Say Hello To Heaven – R.I.P Chris Cornell

On Monday, I was at a memorial. A catholic service. The deceased had killed himself. Mixed with the grief was a disbelief – an incomprehensible place where nothing can possibly make sense. I was trying to explain depression to a friend. It wasn’t working. A hushed conversation in the back of a funeral parlour isn’t going to do it. Where is a good place?

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Some people talk to me about music. It’s built into the description of being a music geek. Like minded people communicate in that somewhat nuanced language, and others will ask you about it when something happens… usually a tragedy. As I walk into my son’s school yard another parent begins.

“Did you hear about Chris Corn…”

“Stop.” I reply. “I don’t mean to be a jerk, but I don’t want to talk about it. Especially in the school yard. And definitely not as a casual conversation.”

He stumbles with his next words. “Sorry, I just…”

“No problem. Just not going to talk about it.” And with those words I deliver my child to the door of the school and walk home.

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My turntable spins. A line keeps coming back to me. I grab the liner notes to verify it. Fuck Wikipedia and the second-hand sources that screw up lyrics on the best of days.

“He hurt so bad / like a soul breaking / but he never said nothing to me…”

In the spring of 1991 I picked up this record – Temple Of The Dog. It was before Soundgarden had released Badmotorfinger in October, and I was telling a recently met acquaintance/friend about it. I hadn’t realized he was the Entertainment Editor at the campus paper until he asked me to write a review. Although, “Hunger Strike” would go on to be a hit the following year, it was “Say Hello To Heaven” that had sold me on the record. It was a song Chris Cornell had written after his former roommate Andrew Wood had died of an overdose. Wood, the vocalist for Mother Love Bone passed before the bands debut record had hit the streets. Like all overdose deaths tend to do, the lines between substance abuse and mental illness get blurred. Wood’s public persona had been one of fun loving and flamboyance, Cornell’s interpretation said something far more personal.

“Since you can’t say to me / now how the dogs broke your bone / there’s just one thing left to be said…”

Cornell’s voice soars into what I think is his most poignant moment. “Say hello to heaven.”

The turntable spins.

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Other people talk to me about depression. I’ve been pretty open about my own battles with it. But, trust me when I say that like minded people do not communicate with conversations about it. You don’t walk up to someone on the street and say, “so, I hear you feel like you’ve been run over and dragged on gravel.” Or… if they do, I’ve not joined that club. Those that have gone through it will either talk about their own experience, or listen as someone talks about theirs. Usually, these take place either one on one, or, if you’ve ever been hospitalized, a group setting. I tend to try and bring a sense of the ridiculous when I do open up, mentioning the full on weeping despair I once had over not finding a clean pair of socks. While a person’s tone can be jocular or matter of fact, there is nothing casual about depression, anxiety or mental illness. Still, my lack of foot covering story gets a laugh as a ‘WTF’ moment.

Still, life can be wonderful and then you have an episode…

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In June 2001, I was looking out the window of a hospital room down upon a place I had dubbed the “crop circle refueling station.” A fire hydrant in the middle of a large grass field, mowed in circles until it reached the concrete of the building itself. Detoxing off of thirteen prescriptions given for a mixture of pain and overwhelming sadness. It had been six months since I cried about the socks. Three months since the back surgery to remove two herniated discs, one of which had been calcified and impaled the sciatic nerve. The doctors hadn’t caught onto the fact that the ‘Oxy’ mixed with an already diagnosed ‘clinical depression’ was causing a severe reaction.

My life was good, but it felt like shit.

I was so heavily medicated I wasn’t sure which thoughts were real and which were the drugs. What I do remember most about that time in my life… an eternity worth of sleep seemed a whole lot better for me and everybody else than sitting around and waiting for the pain to subside. Three days after I arrived in the hospital, down to just my meds for cholesterol, it felt like a fog was lifting off my brain. Looking down on the “crop circle refueling station” I wondered what the fuck had happened to me.

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April 2001. A month after my surgery.

The meds say half a pill before bed. That was an hour earlier. I want to be better. I want to sleep. Fuck it! I’m taking more.

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Chris Cornell’s wife released a statement on Thursday. She believes her husband had taken a few extra Ativan tablets after his concert on Wednesday night. A medication that helps with anxiety when taken in low dosage.

Problem with anxiety… patience for medication to kick in doesn’t work so well. If you are having a panic attack, or looking darkness in the eye waiting isn’t something you are prone to do.  In a moment like that, when the abyss creeps in, it’s easy to over medicate. And that’s when the real shit begins.

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Friday afternoon the CD player is shooting a laser on a plastic disc and I’m being flooded with traces of doom. Every god damned lyric has me projecting bullshit about how dark everything must have gotten over the years. I’m looking for reasons. Except, you know, they just don’t exist. What am I searching for…

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A month ago, I was talking to my thirteen-year-old son about Vic Chesnutt. His suicide came up and we both cried. He asked why, and if it was wrong. It went something like this…

My head began to hurt. “I don’t have a good answer for that. Some people will hold up a Bible and tell you it is a sin. Others will talk about how selfish it is to hurt the people you love by ending your own life. Personally, I don’t buy into that. I believe that mental illness… depression; it takes away the hope you have for a good future. It only leaves you with the impression that your pain needs to end, and that you are a burden on those who suffer through it beside you.”

“That doesn’t make sense!”

“What?”

“The burden thing. Mommy pays for you to be home with us. You’re not a burden. So what if he owes money.”

“Part of being an adult is the desire to be self sustaining. That our own life should not impede or lower the people we care about.”

“THAT DOESN’T MAKE SENSE! When Grandma and Grumpa got sick you moved and took care of them didn’t you?”

“Yes.”

“Were they a burden?”

“No. I was exactly where I needed to be. Where I wanted to be. However, they didn’t see it that way. Grandma saw me leave my family to take care of her and it really bugged her.”

“That’s what I mean, if you were sick I would want to be with you.”

“That is how depression works. You forget that people really want to be there for you. You don’t want to ask for help. You don’t want to hold people back from their own lives. You just want to end the pain.”

The conversation went on… it never really reached a satisfying conclusion.

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Looking through the scores of articles published in the first 24 hours, I come across one in the Huffpost, from Julie A. Fast, an expert on mental illness and a survivor herself. I’m struck by a small paragraph near the end of the piece.

“If he has a brain like mine, he has an illness and his brain was triggered by something that resulted in a suicidal episode. It may have had nothing to do with his amazing life. Sometimes an illness is simply stronger than the person. Sometimes medications mess with our sensitive brain chemicals.”

The words hit me with a mix of confirmation, resignation and an awful strong desire to say “No shit – Sherlock.” I’m pissed off at everyone and no one at all. I resist the idea of opening a bottle of wine as Cornell’s epic voice pleads “reach down, and pick the crowd up.”

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The day Kurt Cobain died I was the Entertainment Editor of my campus paper. Quite a few people were bugging me to write an obituary. When I didn’t, a couple staff blamed the EIC (Editor In Chief), actually suggesting she didn’t want one. It was ludicrous. She knew why I didn’t, and I never had to explain myself. She could always see right through me. It was personal. As someone who had visited dark places, I wasn’t prepared to go there. I couldn’t express myself in terms that would bring anything remotely insightful. It had nothing to do with all that ‘voice of a generation’ crap, just a sadness that I couldn’t comprehend. Always regretted not saying something, but I simply can’t find words for it. Still haven’t got them.

Kurt Cobain – Elliott Smith – Mark Linkous – Vic Chesnutt – Chris Cornell. All artists I adored.

What’s the old saying… there but for the grace of God, go I?

I don’t know these people, but I know that place. I can’t help but take it personally. Every suicide I hear about hits me. My ears burn. I ache. I place it in a compartment tagged “to deal with later” and wait until I have time alone. Then I ache some more.

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Last year a friend posted an article on Facebook – Suicide Rates Amongst Middle Aged Men Rises 43% in the last 15 years. Chris Cornell was 52. I turn 50 in July.

Fuckin’ Facebook and its fuckin’ statistics.

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Twenty-four news cycle, major media, outlets that only mention artists when tragedy strikes, headlines about a voice silenced, and I feel rage. Misdirected rage. Quite honestly, why should I give a shit about all the talk about ‘grunge’ and ‘Seattle’ and ‘vocal range’ and the hyperbole surrounding it. 1990’s superlatives that lessen the time to a cliché. I’m smart enough to know what I’m searching for; the need to find something – someone to articulate how I’m feeling. Words that parallel my thoughts and give them voice. A smarter person than I to bring perspective. I’m searching, listening, searching and listening. Nothing so far.

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It’s Saturday morning. It starts with “Big Dumb Sex.” Cornell sreams ‘fuck’ enough times to make even Zac De La Rocha blush. This back before Soundgarden could fill a stadium. Before metalheads and alt-rock fans had been hearing “Jesus Christ Pose” on Walkman’s. Before people were bringing his voice up in conversations about rock’s greatest vocalists. It’s just a stupid fuckin’ song by a barely twenty something guy. The hook is the fact that he is using profanity to the point of hilarity, as a means to say “this is my version of pop music.” A parody of all the glam metal/big hair bands of the day. Essentially, it was meant to make you laugh. No deep meaning. Just a moment of being a dumbass.

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Outside the funeral home my friend and I get a bit into the whole self-referential morbid mortality thing. He wonders how people can catch up inside a funeral home. How laughter can continue in a room with the deceased. I take a different angle.

“Do me a favor. If or when I go – laugh. I don’t care what the circumstances are – laugh. I don’t want how I died to define me. I don’t want singular moments of when I was exceptional or unexceptional being the focus. I want The Lemonheads punk version of “Amazing Grace” played at the memorial. I want stupid stories regaled for all to hear.”

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I didn’t know Chris Cornell. But I’m pretty sure he doesn’t want Wednesday night in Detroit to be his epitaph. So, If, like me, you are looking for something to make sense of it… stop.

Just go put on a record.

Don’t watch the latest CNN updates.

Just put on a record.

Listen.

Repeat.

I suggest the Soundgarden cover of Devo’s “Girl You Want” from the EP SOMMS. It’s awesome fun and a great way to remember a person in their happier “dumbass” moments.

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Give Me Crap If You Must… or… Temple Of The Dog – Eponymous

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Right now… as I’m writing this, I’m feeling an epic moment of personal nostalgia. Looking over at a recently purchased purple piece of vinyl spinning on my turntable I can’t help but reflect back nearly twenty-five years. Usually when someone says that an album changed their life it is pure hyperbole. It is something said by someone to say they connected in a deep way to a certain record. In my case it literally shaped my entire university experience and the lifelong friends I made.

Let me explain. In the summer of 1991 I found myself really getting into an album that almost no one had heard of – Temple Of The Dog. Remember, this was before Soundgarden released Badmotorfinger; before Pearl Jam had released Ten and even predates Nirvana’s Nevermind. Hell, Soundgarden’s most commercial song to this point was probably “Big Dumb Sex” which had Chris Cornell screaming fuck enough to get the old “explicit lyrics” sticker on the front of Louder Than Love.

As school resumed in September I had started taking a film course and was regaling a new acquaintance on the perfection that was Temple Of The Dog. After a few moments, he interjected with… “Why don’t you review it for me?” I must admit, I was more than a little dumbfounded and probably had that “um, yeah, um, ok” look in my eyes until he explained that he was the entertainment editor at the campus paper. The next day I showed up with a hand written review and from that point on, I became an arts critic during a very interesting time in the musical universe.

Little more than a month after that conversation Pearl Jam was playing an industry gig at the Rivoli in Toronto. Trust me when I say this… the Rivoli is small, very frickin’ small. Ten had been released, but no one was caught up in it yet, and I retold the story again to my friend trying to sell him on the idea of an interview. Mike, who has a bit of a poker face, didn’t seem to think it would be a problem. It would be the first time I would stick a microphone in front of a band, so I was a little nervous and started checking my schedule the next day. My memory at this point gets a bit fuzzy on certain details, but what I remember with absolute clarity is this – I had an exam the morning after the interview. So I returned to Mike and let him know I wouldn’t be able to do it. Casually… between two friends, I cancelled an audience with Pearl Jam before they were “PEARL JAM.”

It wouldn’t be until the next summer I’d do my first interview with The Skydiggers, and from there I did have chats with a lot of great bands. Matthew Sweet, Teenage Fanclub, Cracker and the Lemonheads all come to mind. However… um…, what can I say? I did well on the exam.

Now many years later I found myself searching for a vinyl copy and apparently it is a very hot commodity. Discogs has selling the original 1991 LP for $1000 USD with the average of past sales coming up at over $200 and a recent sale over $500. The same record made in Europe goes for a much more reasonable $80.

That same year a limited edition picture disc was released but I couldn’t find any for sale to fix a price point.

In 1992, with the success of both Pearl Jam and Soundgarden, the album was given a huge push behind the release of the single “Hunger Strike.” Several European editions were released on red vinyl and all seem to go between $50 and $100.

Eight years later, a vinyl reissue hit the market on clear vinyl that has a history of selling under $50.

Jump to 2013 and Music on Vinyl did a complete remaster of the record on 2 pieces of black 180 gram vinyl with an etched side 4. Simultaneously, they also released a limited edition hand numbered purple LP set. A&M also reissued the record on a single red platter.

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Finally, last year, Music on Vinyl reissued 1200 copies of the purple set on 180 gram vinyl to be sold through Newbury Comics. The two, while described as purple, are differing shades, making it slightly cooler than the last batch. However… it seems to have already sold out. You can find copies through Discogs or e-bay for under $50 USD, or just grab the regular black vinyl which is still widely available at the usual retailers.

Overshadowed or Overlooked? Screaming Trees – Sweet Oblivion

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It had been years since I last played a Screaming Trees record. Once a staple that sat by the CD player and saw pretty regular rotations in the carousel, it had moved to a secondary location for music seldom played. New music, new bands, new sounds had found their way into my imagination and I moved on. Then the other day I saw a post for an advance order of Sweet Oblivion on vinyl and my mind flashed back – “damn, it’s been too long” as I started to type my order.

A few weeks later the gold coloured vinyl is spinning on my turntable and it feels like an old friend has returned from a long trip away. The conversation flows easy as if no time has passed at all, and I’m at ease just listening when I hear the old familiar stories. Not epic like Soundgarden or angry like Nirvana, Screaming Trees were a pretty straight forward gritty rock band with a penchant for great song writing and one of the best vocalists of the era in Mark Lanegan. Unfortunately, like many of the great 90’s rock bands, they didn’t stay together past the turn of the century, and faded from view.

Anyway, for vinyl junkies you have three choices to spin Sweet Oblivion. The original ’92 release had a limited vinyl printing that came with the CD booklet and a sticker on the shrink wrap declaring it the “One Foot In The Grave” version. If you can find it, it will set you back a minimum of $50.00 plus shipping.

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In 2010, Music On Vinyl released a 180 gram version that had fans giving compliments for quality. You can still find it most anywhere.

Finally, Newbury Comics released a limited 1000 copies on 180 gram translucent gold vinyl. In addition to the foil stamped numbering on the cover it included new liner notes written by Screaming Trees drummer Barrett Martin. They still have copies, so don’t go crazy ordering from resale sights asking for a $100.

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Overshadowed or overlooked, I’m not sure which, but Screaming Trees should have been bigger than they got. Regardless, Sweet Oblivion is sure appreciated and is once again sitting in a spot close to the stereo.

 

Musical Memories – Get The F#!K Outta My Way! Aug 18, 1993: Neil Young w/Booker T & the Mg’s / Pearl Jam / Soundgarden / Blues Traveller

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Sitting alone on the bus bound for Toronto I looked down at my feet and exclaimed “Oh shit!” louder than I should have. People turned to see this large man who looked more biker than student, wearing a pair of headphones shaking his head at his own stupidity. Sandles… I was wearing sandles to a freakin’ big ass concert at the Exhibition Stadium. Worse, it was general admission floors and I realized that I had made a huge mistake.

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I hook up with my girlfriend at the bus station, and meet with my roommate at the show as Blues Traveller put on a set that was entertaining to the few people who had arrived. I had expected a large crowd for Soundgarden who were still touring Badmotorfinger but that didn’t really materialize either. Despite low turnout for their set Cornell and co. put on a great performance. When they left the stage, that’s when things started getting weird. The crowd started filling in, but it wasn’t too bad until Pearl Jam walked on and the opening chords of “Go” rang out. Finishing the last dates supporting Ten, and having just finished the as yet unreleased VS. Pearl Jam was at the top of their popularity. Suddenly every kid who had a seat relinquished it and started breaking for the floor. Security was helpless as hundreds of people started to rush the stage.

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I was perhaps 50 – 60 feet from the band when this started and within just a few seconds I was thirty feet from them; except I had not taken a single step. It was a current of kids turning into rapids. My girlfriend started to stumble. At that moment a mixture of fear, anger and adrenaline took over. I grabbed my future wife, said excuse me to the first couple people, and with no other choice just started pushing through the crowd sideways. Each step I became angrier and despite the music I could hear screams of pain in the distance. Finally, the three of us came into a bit of a clearing when some poor kid, who had my height but was twig thin, ran straight into me.

BANG!

He looked down, went white and murmured, “I’m sorry.”

I didn’t have to look down to know what had happened. His Doc Marten kicked my big toe nail, and ‘pop’ my foot was now a bloody mess. All that adrenaline went straight to my chest and I bellowed “GET THE F#!K OUTTA MY WAY!!!” He disappeared in a shot. We went to a concession stand got a few napkins and then watched the rest of Pearl Jam’s set from the furthest seats of the stadium. Pearl Jam finished with a rousing rendition of the Who’s “Baba O’Riley” and left the stage. As they did so did the Pearl Jam fans. Hundreds just left.

We made our way back to the floor which was now civilized and found ourselves pretty much where we were standing before all the chaos.

Neil Young took the stage with the legendary STAX band Booker T & the MG’s and knocked through a set that pulled from both his acoustic and electric sides. The crowd was mostly in awe at the aging veterans who were putting on an awesome spectacle. For the first encore Young pulled out his harmonica and began to play the familiar whistle opening to the late Otis Redding classic “(Sittin On) The Dock Of The Bay” (Booker T &b the MG’s play on that Redding original). Unlike other covers by artists like Michael Bolton, Young didn’t use the song as some opportunity to emote through musical masturbation of vocal range, instead he stuck to the true dreamy nature of the original. Then he went electric again and broke into the Dylan stomper “All Along The Watchtower.” When the band finished everyone left the stage.

For the second encore Young & the MG’s were joined by Pearl Jam for “Rockin’ In The Free World” which delighted fans both young and old.

My girlfriend decided to drive me home when the radio started announcing several injuries due to the crush of people. I looked at my foot, considered myself lucky for only losing a toe nail, and popped Harvest Moon into the tape deck. That was the last time I ever went to Exhibition Stadium. It was torn down in 1999.

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