Something about ‘garage rock’ makes it so timeless. Maybe it’s the fuzzed out guitars or the berserker energy with which the six-string is played, but it certainly rocks the house when done right.
Perhaps that’s why I got so excited the first time I heard the Dirtbombs. They had even more than I could’ve imagined going for them. Backing the vocals and guitar ‘riffage’ of Mick Collins is a band that boasts dual bass guitar and dual drums and every song they power through is uniquely their own, even when they pull off a great cover.
Which is exactly what Ultraglide In Black is, a covers album (with one original). Every bit as powerful as anything the White Stripes have done, Ultraglide in Black looks back at some classic R&B and soul and channels it through the ghost of the Jimi Hendrix Experience and MC5.
If you take a song like Stevie Wonder’s “Livin’ For The City” which thematically deals with systemic racism, the original comes off musically with a gospel and hopeful air. Under Collins, the Dirtbombs version is anger and seething. It strips away the hope and with the help of both a sinister sounding bass and guitar the songs conclusions ‘of just enough’ sounds angry and futile.
In fact, this album is Collins interpretation of ‘Black America’ through the songs of the artists he grew up with. You get Sly Stone’s “Underdog”, Curtis Mayfield’s “Kung Fu”, Phil Lynott’s “Ode to a Black Man” and Marvin Gaye’s “Got To Give It Up,” blasting out the speakers with this tremendous power that Mick Collins finds for every damn song on the record.
As you finish Ultraglide In Black, you find yourself wondering why this album has sat under the radar for most people. It isn’t just a great record worth of songs, it is a classic record that should be in everyones collection.
You can get it here.