The Best Album of 1993 or Liz Phair – Exile In Guyville

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Some records are great sounding and personal. Some records are great sounding and important. Then there was Exile In Guyville which was all that and so much more. 1993 was an awesome year for music seeing releases by Nirvana, Smashing Pumpkins, Breeders, U2, Belly, Porno For Pyros, Sloan, The Cranberries, Blur, Counting Crows, PJ Harvey and so many more. All those records and yet Spin and the influential Village Voice both picked Guyville as the number one record of the year.

It wasn’t just that Phair was writing about sex as bluntly or as graphically as any ‘guy’ had before her. It wasn’t just that a so-called feminist view hadn’t been placed in music to the extent that she now had. It was that Exile In Guyville had seventeen kick-ass songs that talked about the female experience without having to make proclamations. This wasn’t Helen Reddy singing “I Am Woman” or Courtney Love warning you that “someday you will ache like I ache.” Instead Phair’s vocals are so matter of fact you feel that anger and sarcasm would be out of place. These are the stories of women in love, lust, distress and having sex told in a style where shock seems both out of place yet warranted.

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Spin recently ranked the Top 300 albums since 1985 and Exile In Guyville ranked #7. The only albums to rank Higher were:

Radiohead – OK Computer

The Smiths – The Queen Is Dead

Daft Punk – Discovery

Prince – Sign O’ The Times

Wu Tang Clan – Enter The Wu-Tang

Nirvana – Nevermind

Quite the company eh!

So when I talk about wanting to have not only albums I love, but also essential albums in my vinyl collection – Guyville fits both bills.

Strangely, Exile In Guyville has only two vinyl options. The original 1993 Matador release came with two basic black vinyl discs and an insert detailing the album info. You can find used copies on the internet for about $50.00.

In 2008, ATO Records released a 15th anniversary edition that was re-mastered and placed on two 180 gram vinyl pieces. With them also came a bonus 7” of unreleased B-sides and a copy of the re-mastered CD. Oddly, the reseller markets are asking over $60.00 for the 2008 reissue. It is still available at local record stores and online retailers for much less.

If you haven’t heard it – listen here. Then BUY IT!

With hand claps and horns announcing that the Lords Of Austin have returned… or Spoon – Ga Ga Ga Ga Ga

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There was a point a few years ago when I was pretty well convinced that the only American ‘rock’ band left that really mattered was Spoon. Starting with 2001’s Girls Can Tell, Spoon put together a string of four back to back records on Merge, with each new brilliant album being slightly better than the last. Their sound wasn’t based on 60’s surf, 70’s classic, 80’s synth, or 90’s alt-rock… it was, just a groove that made your head nod and forced you to pay attention. You see, Britt Daniel and Co. are more subtle than to give you an obvious influence and instead channel elements of opposing song writing giants to play off of. You get a bit of Costello, a smidgen of the Clash, a hint of the “wall of sound” with a touch of Bowie and then mix in a heaping of original creepy grooves and the result is Spoon.

2007’s Ga Ga Ga Ga Ga is the fourth and finest of the Merge years taking on all the elements of their previous work and then adding a kind of studio wizardry that arrives from the production of Jon Brion. Britt Daniel can be as depressing as all hell, but the vibe is so intoxicating that you feel compelled to be entertained by the misery. He sings “I want to forget how conviction fits, but can I get out from under it” on “The Underdog” but despite the hostility of the lyrical delivery it plays against type with hand claps and horns “for the Lords of Austin have returned.” (Yes that is a Lord of the Rings reference!)

So, with all this enthusiasm, you know I have to add this to my vinyl collection. Of course the choices are limited to only two. The first is a still widely available regular black vinyl that comes with a download card.

The second, released by Newbury Comics in 2014, is a very limited run of 500 in 180 gram red translucent vinyl that also includes a download card. As you can see, it is gorgeous.

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While you can get the standard black for about $20.00, you can expect to pay at least $50.00 on the reseller market for the Newbury edition. Just hoping I can find a copy on a trip to the U.S. so I don’t have to pay a ton in shipping costs.

SAY WHAT NOW! VINYL TUESDAY! Oh damn, how the hell do I pay for that?

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I don’t know if any of you caught the music news this week but the big announcement wasn’t a release by “fill in your favourite band” but rather that indie record stores are about to start “Vinyl Tuesday.”

In conjunction with and modeled on the example of Record Store Day, Vinyl Tuesday is set to bring you new and limited vinyl each week. As stated by the American Association of Independent Music in their press release, “there will be several types of vinyl releases.”

1) Catalog releases which can mean releases made specifically for Vinyl Tuesday or a regular release

2) Commercial and promotional vinyl releases

3) Rare cases where vinyl hits the streets before any other medium

4) Vinyl made specifically for the Record Store Day / indie shoppers

5) Vinyl that is being released after other formats

Basically, all the same stores that have been participating on RSD are going to be joining the Vinyl Tuesday craze. The only thing not mentioned in the press release (or anywhere else) is when vinyl Tuesday is set to start.

Now… where the hell do I get the cash to pay for this?

With My Friend Beside Me… or The Black Keys – Brothers

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Brothers travelled the roads between Peterborough and Toronto with me as if this album was a best friend. Entertaining me, making me smile occasionally, and telling me outrageous stories as the hours passed. Back and forth I went and so did The Black Keys. After one particularly nasty life experience, the first thing that had me laugh in over two months was the video for “Howlin’ For You.” I mean, how cool is (Sir) Todd Bridges when he does that Samuel L. Jackson badass thing.

Released in May of 2010, Brothers quickly became The Black Keys best selling record, and by that November I knew I wanted to see it spin on my turntable.

Fortunately, the band provided several vinyl options for their fans. The first two are separate but almost identical releases. For North America, a regular 2 disc vinyl copy was put out with a CD and poster in a black gatefold cover. In Europe, it was a 180 gram audiophile 2 disc vinyl set with the CD, poster and same cover. However the big limited release came on Black Friday/Record Store Day when a limited edition became available.

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3000 copies all machine stamped and numbered in an alternate white gatefold cover hit the independent record stores. Brothers contained two 180 gram vinyl discs that played at 45 rpm, an additional 10 inch record with unreleased live material, the CD and a variant of the same poster contained in the other vinyl releases.

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The significance of the 45 RPM should not be understated in this case; vinyl 12” records play at higher speed, have wider grooves and allow the vinyl to carry a bit more sound. Audiophiles claim it gives a greater frequency response, while the rest of us hear an enlarged bass and more dynamic guitar.

When I play my vinyl against the CD, the wax sounds so much warmer and… well, whole. If you ever get the chance you should play a CD or download up against the vinyl and give it a test, I believe you will hear a difference.

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Copies of original vinyl editions of Brothers can still be purchased at all your favourite record retailers. As for the limited edition, you would have to go to the re-seller market on that computer thing and likely pay about $100 plus shipping. But… really, can you put a price on friendship?

Confused, Remorseful & Angry… It’s Awesome! or Sebadoh – Bakesale

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Back in ’93 a good friend turned me towards the lo-fi sounds of Sebadoh and their initial Sub Pop offering Bubble & Scrape. One listen to the fabulous opening number “Soul & Fire” and I became a forever fan.

Bakesale was released in 1994, and was a slight change of direction for the band in that they had refined the sound now and were becoming more accessible to the alt-rock hipsters. Lou Barlow and Jason Lowenstein were capable of breaking your heart at one moment and smacking you in the head another with their confessional lyrics and fuzzed out guitar work.

“What was that you just said, that didn’t make any sense to me, it’s not the way I see it man, I’m almost tired of listening to you” from the awesome “Not Too Amused” comes off all at once confused, remorseful and angry with the music only adding to the emotional impact. These are themes that play out over the course of the whole record.

Some critics call Bakesale Sebadoh’s finest moment; I’m not sure I would go that far as they have several records that have a giant place in my heart. However, it is certainly a great place to begin if you haven’t listened to them before and vinyl is definitely a great option.

Outside of the original ’94 release, Bakesale was re-mastered in 2011 and has a couple options. The first is your basic black vinyl which also came with a download card and is still available at all your finer record retailers. The second, long sold out edition was on grey splatter vinyl and was sold directly from the Sub Pop online store.

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If you are a fan of those essential records from the 1990’s, Bakesale definitely fits the bill. I’m just hoping Bubble & Scrape and Harmacy eventually see a vinyl re-release. Either that or I may have to start hunting down used copies.

Sebadoh is playing at Lee’s Palace in Toronto tomorrow night (May 27).

Who is that Masked Man? or Foxboro Hot Tubs – Stop Drop and Roll!!!

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Green Day has had a few career highlights in terms of records, but one of my personal favorites is an album they didn’t even credit to themselves. The debut of Foxboro Hot Tubs was a splash of early rock ‘n’ roll that crossed the Sonics with the Kinks and just never let up. Gone were the political messages of American Idiot, and back came the sarcasm and pointed lyrical shots that made you a fan back when Dookie came out. From “The Pedestrian” Reverend Strychnine Twitch (Armstrong) sings “it doesn’t take a genius to be an idiot” and while bordering on a playful cliché, it still cuts to the desire for sound bites meant for fun.

Having played the CD recently I made the decision that I wanted a vinyl version to spin and had a need to find out what is available.

Um… well… ok…

There has been and still remains only one option.

Released in 2008, Stop Drop and Roll!!! has a single vinyl printing that also contained a CD version of the record. However, it should be noted that the album was recorded on an old fashioned analog 8 track, making vinyl the perfect medium to hear it.

Don’t go to resellers for the album either as it is still widely available through your local record retailers.

I really hope they do another of these, it really is a great summer blast of fun!

A Glorious Bit Of Ragged String Bending or Foo Fighters – Medium Rare

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Foo Fighters have always enjoyed putting out limited and rare b-sides for their hard core fans, but finding them all can be a big frickin’ problem. To solve this minor dilemma, they compiled the whole lot of cover songs as an album for Record Store Day 2011 and dubbed it Medium Rare. The vinyl included thirteen songs from various EP’s, singles and soundtracks. The CD version, which was released as a companion to Q Magazine subscriptions, was missing the Prince cover of “Darling Nikki.”

As cover albums go, the songs are over the spectrum including numbers from Prince, Joe Walsh, Husker Du, Paul McCartney & Wings, Cream, Gerry Rafferty and few others. The whole album sounds great and gets held together by the Foo Fighters enthusiasm for the material. Taylor Hawkins vocals sound stellar on “Life Of Illusion” and the guitar solo on “Baker Street” is a genuinely glorious bit of ragged string bending.

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Thing is, trying to get a copy.

Record stores sold out of this a very long time ago and I’ve only seen one copy in the used bin of my favourite record store (or any other for that matter) once in the last four years. Discogs seem to have the most reasonable prices in the resale market with asking prices in the $100.00 range for either of the CD or vinyl.

On the other hand, e-bay resellers have sealed copies with asking prices that balloon to nearly $250.00 for a CD copy and over $500.00 for the vinyl. However, those high prices are by no means an average, and if you have your eyes open you should be able to snag a copy for under $100.00.

I think the best bet might be to hope for a limited re-issue at some point. The market is certainly there for it, let’s hope Grohl and co. decide it is worth doing.

The Greatest Air-Guitar Record Ever! or Green Day – Dookie

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Love it or loath it the 90’s punk revival didn’t go mainstream because of Nirvana, Sonic Youth or any of the other champions of noise from 89 to 93. The exact day it started was February 1st 1994 with the release of Dookie, and it was a monster. It sold 10 million copies in the year following its release and has sold another 10 million since. It was fast, it was fun, it was angry, and it was everywhere! It was the kind of record you knew would be HUGE on a single listen, and believe me, that isn’t an easy thing to say as a critic. Arguably, Dookie may even be the greatest air-guitar record ever!

So from a vinyl perspective, it is an obvious and essential part of the collection, but what is available and where the hell do you start?

Well believe it or not, your options are quite limited. You can find a used copy from 1994, of which a dump load of unofficial copies were also released, or you can buy new and there have only been three “official” re-releases since 2008. The first two are re-issues printed in the US and Europe on black 180 gram vinyl and are still widely available.

The last one is slightly more interesting than the others. It is a limited edition green translucent vinyl that had only 1000 copies printed and were sold exclusively at Hot Topic stores in the US. While the limited Dookie sold out long ago, most Hot Topic vinyl is sold under $30.00.  Resellers are asking over $50.00 for the green vinyl now. Of course, if you have a giant whack of cash, you could buy an original 1994 green translucent vinyl or autographed copy for several hundred dollars on the resale market… but … um… that’s a bit out of my price range.

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If you are looking to get a copy, your best bet is still the 2008 180 gram version which sounds great and can be purchased at very reasonable prices at all the usual places.

 

Black Gold For The Masses or Lou Reed – Transformer

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Commercial success and critical acclaim together or apart are not really the true measure of an artist’s work. History and public acceptance can ‘transform’ the perspective and create a re-evaluation, or revisionist history towards how the art is viewed. No other work quite typifies this more than Lou Reed and his second solo effort Transformer.

With the Velvet Underground, Reed became a beacon to the outsider experience and while album sales were low, critics and musicians had found a kind of anti-hero on whom to heap praise. Once the Velvets broke up, Reed continued his stories and of counter-culture misfits but to a more commercialized effect on Transformer. Produced by David Bowie and his guitarist Mick Ronson, Transformer would be heavily influenced by Bowie’s ‘glam’ movement and blur the same androgynous lines. However, Reed would use his own brand of wry observation and deadpan delivery to create characters that lived with and amongst his crowd as opposed to embodying the characters space as Bowie did with Ziggy and Aladdin.

Oddly, it was “Walk On The Wild Side” a song that spoke of transsexuality, oral sex and drug use that propelled the album to heights neither seen by the Velvet Underground or Reed himself in previous efforts. It wouldn’t be until the 1990’s that “Perfect Day” would become an underground hit.

On its release in 1972, Transformer was given mixed reviews by critics who claimed it was overly “art-y” and overly sexual. History of course has shed new light and Transformer has made just about every magazines ‘Best All-Time’ list.

Despite, or maybe due to its recognition, finding vinyl editions of Transformer is pretty easy, but figuring out what works best for you might get a little more difficult. You can find used copies pretty much anywhere. I’m sure a lot of people bought Transformer to get similar material to “Walk On The Wild Side” only to find that it wasn’t like that. As for new, eight official vinyl editions have come out since 2004 with four in just the last three years. On RSD 2012 a straight re-issue was put out in record stores, and is still the most common new copy you will find. In 2013 – 2014 unofficial green and blue versions were released in the UK. Finally, a few weeks ago Newbury Comics put out a Limited Edition half black and half gold version. There were 1200 copies printed and each was gold stamp numbered.

Due to the sheer amount of what is available, you can get most copies of Transformer for less than $30.00 (including the unofficial UK copies). Only the Newbury edition is commanding high prices on the resale market, and that’s pretty damn silly, because you can still get a copy from Newbury for less than $30.00. The split colour looks awesome and indeed sounds great.

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You can get it here. Anyway, with his recent induction into the “Rock Hall” you can expect some renewed interest and copies of Transformer may begin to disappear. You might want to give that some thought if you’ve been sitting on the fence.

 

The Emotional Depth of Flanging and Reverb or Ride –OX4

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There was a time before the 90’s wave of Grunge and Brit-Pop when a generation of music geeks had their collective consciousness turned towards the sounds of a UK movement dubbed “shoegaze.” Known for “wall of sound” like buzz and a variety of guitar effects it was the best possible escape for people tired of pop and hair metal but still loved loud electric guitar as the driver behind the tunes.

Ride was one of the best of the era with their own brand of songs crossed between My Bloody Valentine, The Smiths and even American avant-garde noise rockers Sonic Youth. At the beginning what attracted people to the band was the menagerie of influence pooled together under a banner of rock attitude and loud experimentation.

Unlike classic rock bands that would build a song around a guitar riff using it for the more climatic moments, Ride would use a riff like a wave over the song and change its very dynamic. If you listen to “Like A Daydream” even when the songs driving force is held back during the lyrical sequence, the guitar riff is still present as the basis for the rhythm. What changes is the tone and power with which it is played. The song itself gains more emotional resonance by the riff coasting for the duration rather than any one specific moment. At their best, this is exactly how Ride operated, a lyric of longing surrounded by shimmering guitar lines that buzz meaning with flanging and reverb.

Unfortunately, their existence was a brief eight years and it ended with internal disagreements and some half hearted attempt to go in a more ‘commercial’ direction. Some critics have claimed they fell flat looking for a more Brit-Pop sound, but honestly, after reading some of their more recent interviews, it sounds more like they just lost the motivation to be a band.

Still Record Store Day 2015 was a reminder of what brilliant music they did put out back in the day, with the vinyl re-issue of OX4: The Best Of. Three editions were released on April 18th in three major markets. The UK and Europe saw 500 copies each printed in red translucent vinyl while the North American market printed an additional 5000 copies of the same. As of last week when I was visiting record stores in Toronto I still saw copies around at the regular RSD prices.

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On a cooler note, Ride have worked out all their differences, are back together and currently touring. They’ll be hitting the Danforth Music Hall in Toronto on June 2nd and are being presented by 102.1 The Edge/Spirit Of Radio.