A Glorious Bit Of Ragged String Bending or Foo Fighters – Medium Rare

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Foo Fighters have always enjoyed putting out limited and rare b-sides for their hard core fans, but finding them all can be a big frickin’ problem. To solve this minor dilemma, they compiled the whole lot of cover songs as an album for Record Store Day 2011 and dubbed it Medium Rare. The vinyl included thirteen songs from various EP’s, singles and soundtracks. The CD version, which was released as a companion to Q Magazine subscriptions, was missing the Prince cover of “Darling Nikki.”

As cover albums go, the songs are over the spectrum including numbers from Prince, Joe Walsh, Husker Du, Paul McCartney & Wings, Cream, Gerry Rafferty and few others. The whole album sounds great and gets held together by the Foo Fighters enthusiasm for the material. Taylor Hawkins vocals sound stellar on “Life Of Illusion” and the guitar solo on “Baker Street” is a genuinely glorious bit of ragged string bending.

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Thing is, trying to get a copy.

Record stores sold out of this a very long time ago and I’ve only seen one copy in the used bin of my favourite record store (or any other for that matter) once in the last four years. Discogs seem to have the most reasonable prices in the resale market with asking prices in the $100.00 range for either of the CD or vinyl.

On the other hand, e-bay resellers have sealed copies with asking prices that balloon to nearly $250.00 for a CD copy and over $500.00 for the vinyl. However, those high prices are by no means an average, and if you have your eyes open you should be able to snag a copy for under $100.00.

I think the best bet might be to hope for a limited re-issue at some point. The market is certainly there for it, let’s hope Grohl and co. decide it is worth doing.

Beautiful Wreckage of Human Fallacy or Rhett Miller – The Traveller

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If the characters in the Old 97’s albums like to party than the characters in a Rhett Miller record wake up to regret it. The line “there’s happiness and then there’s this, whatever it’s supposed to be” from “Jules” is pretty indicative of the confessional rides being taken. Apologies, regret, forgiveness and the need for redemption play out to a background of foot stomping and sorrowful alt-country/Americana.  Of course, it helps that the music is being provided by the alt-country genius of Black Prairie, who have been setting that genre ablaze for a few years now.

Rather strange it seems is the instant dynamic that falls into place between Miller and his new cohorts. After all, Black Prairie is four members of The Decemberists and a couple musical friends who are exploring a different musical style rather than people who live fulltime making music in Nashville.  They do it so well you forget they are in another band at all.

Soft acoustic guitar, a light violin and an accordion permeate over a ghostly atmospheric vocal as played out on “Dream vs. Waking Life” underscoring the hearts desolation at a relationships end. Then later you get the playful banter of a piano carrying a storyteller until the violin starts to do the call and answer thing on “Reasons To Live.” In every case the music is central in creating an atmosphere for Miller’s various levels of turmoil.

The Traveller may not be a concept album in the traditional sense but it runs the gambit of emotional expressions felt when a relationship implodes by reason of human fallacy. No one quite describes self-wreckage the way Miller does, and Black Prairie makes it sound that much more poignant.

The Traveller is available at all the finer music stores and you can pick it up on vinyl here.

The Greatest Air-Guitar Record Ever! or Green Day – Dookie

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Love it or loath it the 90’s punk revival didn’t go mainstream because of Nirvana, Sonic Youth or any of the other champions of noise from 89 to 93. The exact day it started was February 1st 1994 with the release of Dookie, and it was a monster. It sold 10 million copies in the year following its release and has sold another 10 million since. It was fast, it was fun, it was angry, and it was everywhere! It was the kind of record you knew would be HUGE on a single listen, and believe me, that isn’t an easy thing to say as a critic. Arguably, Dookie may even be the greatest air-guitar record ever!

So from a vinyl perspective, it is an obvious and essential part of the collection, but what is available and where the hell do you start?

Well believe it or not, your options are quite limited. You can find a used copy from 1994, of which a dump load of unofficial copies were also released, or you can buy new and there have only been three “official” re-releases since 2008. The first two are re-issues printed in the US and Europe on black 180 gram vinyl and are still widely available.

The last one is slightly more interesting than the others. It is a limited edition green translucent vinyl that had only 1000 copies printed and were sold exclusively at Hot Topic stores in the US. While the limited Dookie sold out long ago, most Hot Topic vinyl is sold under $30.00.  Resellers are asking over $50.00 for the green vinyl now. Of course, if you have a giant whack of cash, you could buy an original 1994 green translucent vinyl or autographed copy for several hundred dollars on the resale market… but … um… that’s a bit out of my price range.

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If you are looking to get a copy, your best bet is still the 2008 180 gram version which sounds great and can be purchased at very reasonable prices at all the usual places.

 

Black Gold For The Masses or Lou Reed – Transformer

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Commercial success and critical acclaim together or apart are not really the true measure of an artist’s work. History and public acceptance can ‘transform’ the perspective and create a re-evaluation, or revisionist history towards how the art is viewed. No other work quite typifies this more than Lou Reed and his second solo effort Transformer.

With the Velvet Underground, Reed became a beacon to the outsider experience and while album sales were low, critics and musicians had found a kind of anti-hero on whom to heap praise. Once the Velvets broke up, Reed continued his stories and of counter-culture misfits but to a more commercialized effect on Transformer. Produced by David Bowie and his guitarist Mick Ronson, Transformer would be heavily influenced by Bowie’s ‘glam’ movement and blur the same androgynous lines. However, Reed would use his own brand of wry observation and deadpan delivery to create characters that lived with and amongst his crowd as opposed to embodying the characters space as Bowie did with Ziggy and Aladdin.

Oddly, it was “Walk On The Wild Side” a song that spoke of transsexuality, oral sex and drug use that propelled the album to heights neither seen by the Velvet Underground or Reed himself in previous efforts. It wouldn’t be until the 1990’s that “Perfect Day” would become an underground hit.

On its release in 1972, Transformer was given mixed reviews by critics who claimed it was overly “art-y” and overly sexual. History of course has shed new light and Transformer has made just about every magazines ‘Best All-Time’ list.

Despite, or maybe due to its recognition, finding vinyl editions of Transformer is pretty easy, but figuring out what works best for you might get a little more difficult. You can find used copies pretty much anywhere. I’m sure a lot of people bought Transformer to get similar material to “Walk On The Wild Side” only to find that it wasn’t like that. As for new, eight official vinyl editions have come out since 2004 with four in just the last three years. On RSD 2012 a straight re-issue was put out in record stores, and is still the most common new copy you will find. In 2013 – 2014 unofficial green and blue versions were released in the UK. Finally, a few weeks ago Newbury Comics put out a Limited Edition half black and half gold version. There were 1200 copies printed and each was gold stamp numbered.

Due to the sheer amount of what is available, you can get most copies of Transformer for less than $30.00 (including the unofficial UK copies). Only the Newbury edition is commanding high prices on the resale market, and that’s pretty damn silly, because you can still get a copy from Newbury for less than $30.00. The split colour looks awesome and indeed sounds great.

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You can get it here. Anyway, with his recent induction into the “Rock Hall” you can expect some renewed interest and copies of Transformer may begin to disappear. You might want to give that some thought if you’ve been sitting on the fence.

 

The Emotional Depth of Flanging and Reverb or Ride –OX4

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There was a time before the 90’s wave of Grunge and Brit-Pop when a generation of music geeks had their collective consciousness turned towards the sounds of a UK movement dubbed “shoegaze.” Known for “wall of sound” like buzz and a variety of guitar effects it was the best possible escape for people tired of pop and hair metal but still loved loud electric guitar as the driver behind the tunes.

Ride was one of the best of the era with their own brand of songs crossed between My Bloody Valentine, The Smiths and even American avant-garde noise rockers Sonic Youth. At the beginning what attracted people to the band was the menagerie of influence pooled together under a banner of rock attitude and loud experimentation.

Unlike classic rock bands that would build a song around a guitar riff using it for the more climatic moments, Ride would use a riff like a wave over the song and change its very dynamic. If you listen to “Like A Daydream” even when the songs driving force is held back during the lyrical sequence, the guitar riff is still present as the basis for the rhythm. What changes is the tone and power with which it is played. The song itself gains more emotional resonance by the riff coasting for the duration rather than any one specific moment. At their best, this is exactly how Ride operated, a lyric of longing surrounded by shimmering guitar lines that buzz meaning with flanging and reverb.

Unfortunately, their existence was a brief eight years and it ended with internal disagreements and some half hearted attempt to go in a more ‘commercial’ direction. Some critics have claimed they fell flat looking for a more Brit-Pop sound, but honestly, after reading some of their more recent interviews, it sounds more like they just lost the motivation to be a band.

Still Record Store Day 2015 was a reminder of what brilliant music they did put out back in the day, with the vinyl re-issue of OX4: The Best Of. Three editions were released on April 18th in three major markets. The UK and Europe saw 500 copies each printed in red translucent vinyl while the North American market printed an additional 5000 copies of the same. As of last week when I was visiting record stores in Toronto I still saw copies around at the regular RSD prices.

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On a cooler note, Ride have worked out all their differences, are back together and currently touring. They’ll be hitting the Danforth Music Hall in Toronto on June 2nd and are being presented by 102.1 The Edge/Spirit Of Radio.

Technicolor Horror Story or Faith No More – Sol Invictus

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So much more than just another ‘alt-rock’ or ‘metal’ band Faith No More could pack influences into music so tightly I would have no other choice but to call it ‘genre skipping.’ Crazy as that sounds they do it in individual songs. Funk, hip hop, metal, and even easy listening soft rock balladry naturally bounce around so well you’ld think they were a basketball.

Add that to the fact that Mike Patton is the best living rock vocalist on the planet (seriously, he has a vocal range that stretches six octaves) and you have a powerful explanation as to why music fans are salivating at the mere thought of a new Faith No More record.

Eighteen years between records and Faith No More not only picks up from where they left off, but do it as if both a love letter to fans and kiss off to anyone else. In fact, the feel of Sol Invictus is far more reminiscent of Angel Dust than the commercially lauded The Real Thing. The result is an album that just seems to go in whatever direction the wind is blowing at any given moment. Which isn’t to say that Faith No More lets anything get away from them, but rather that the transitions seem natural.

The title track opens with a bit of a circus atmosphere before breaking off into atmospheric melody. “Superhero” takes medal riffs and builds them towards a climatic cliff that is followed by the sinister “Sunny Side Up” which comes off as the proclamations of a narcissist. Characters are littered throughout Sol Invictus creating a type of epic short story one might imagine as the work of Flannery O’Connor or Richard Bachman. Listening to “Black Friday” as it describes living in the “age of the mercenary” comes with the realization that hope is a matter of perspective. Faith No More may not have created a pop masterpiece, but they have made a record that tells dark stories of broken people in vivid sonic colours. Sol Invictus is an album that stays with you long after the needle has lifted, and compelling enough to keep you up long after your head hits the pillow.

For you fans of vinyl, Faith No More have given you a couple options. Sol Invictus can be ordered in clear (limited edition) or black 140 gram vinyl and of course their web store also has a variety of bundles to make a true music geek happy.

TAKE THAT, FOUR OF A KIND! or Queens Of The Stone Age – … Like Clockwork

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To say that …Like Clockwork was a loved record would be an understatement, it was pretty much universally praised as a great record. In hindsight Josh Homme was screaming to the world that Queens Of The Stone Age were now the greatest hard rock band since “fill in your own blank.” Almost two years since its release and “I Sat By The Ocean” can be heard almost daily on the radio. Josh Homme must have had an inkling it was great before it was even released because he handed fans an abundance of options to not only purchase it in multi formats, but four different vinyl versions as well. Three of those wax options were on the very day of release.

1) 2x vinyl 12” that plays at 45rpm with a red cover

2) 2x vinyl 12” limited edition (10000 copies) 150 gram vinyl plays at 45 rpm with a blue album cover

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3) 2x vinyl 12” limited edition 180 gram vinyl plays at 45rpm with an oversized gatefold cover containing a 20 page book

Then, with the album already selling very well came Record Store Day/Black Friday and the band put out option #4; the so called Black On Black Friday Edition. Limited to 2400 copies the cover art was in black and inside was a 180 gram vinyl record.

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Now the funny thing about these options, are the crazy prices that vinyl resellers are asking for them.  In some cases, sealed copies of the black cover and the blue cover editions have asking prices of over a $100.00 but used copies can be found for under $35.00. Funnier still were that I found people asking $35.00 for a new copy of the standard red cover edition and the deluxe book set for another $100.00. The reason I find this funny is that the bands own website still has these for sale for less money. WAY LESS! The standard vinyl is $19.99 and the deluxe is $44.99 American.

Honestly, if you’re looking at purchasing …Like Clockwork on vinyl, go to your local record store before you start thinking about the online re-sellers. Great sounding new records are still available. I’ve even seen a couple of the blue covers kickin’ around at regular prices.

If You’re Late For Dinner… or Clap Your Hands Say Yeah – Eponymous

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I have no idea what it was like in your house growing up, but in mine being ‘late to the table’ was a sure way to lose out on after dinner goodies. However, this whole ‘vinyl revival’ thing makes it so you can be years late to the table and still enjoy a great dessert.

Such is the case with the fabulous self-titled debut by Clap Your Hands Say Yeah. It has been 10 years since their initial offering and in celebration the band is re-issuing their out of print eponymous record with an additional recording of songwriter Alec Ounsworth doing a solo acoustic live show.

Just in case you may have forgotten Clap Your Hands Say Yeah popped onto the scene in spectacular fashion garnering rave reviews on both sides of the ocean and beyond. Names like Modest Mouse, Neutral Milk Hotel, Ride, and the Talking Heads have been used to describe them (Ounsworth’s voice does resemble a higher pitched David Byrne) but really they are a really well balanced stew of many influences. You can hear various styles dating from the 80’s to the present, which just means it is pretty hard to them pin down from one song to the next. Listen to it with friends sharing a couple bottles of wine and you could have an interesting conversation about what you hear and how good it is.

Out on June 2nd, the wax re-issue will be pressed on gold translucent vinyl and both the CD and LP versions will include download cards of the original release and live material.

Like Riding A Rollercoaster Blindfolded… or Crocodiles – Boys

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A touch of psychedelia, a smidge of shoegaze and sounding like they spent a whole lot of time in a garage playing covers of The Shondells is the basic Crocodiles recipe. So the real question, if one dares to ask, is this any different from the plethora of bands also trying to mine this vein?

Well, yes and no…

Heading into summer lets use baseball as an analogy. Major League Baseball has thirty teams all trying to attain a single goal – win the World Series. There are a lot of both good and bad teams that resemble one another but only the best really stand out while the rest are merely background noise until the playoffs arrive.

The Crocodiles are contenders.

Many bands have similar sounds but the pure catchiness and fun they exude is what keeps bringing me back for more. Hell, if they hired Rick Rubin to produce they would likely end up sounding like The Cult during the Electric era.

As it is, their brand of ‘riff-riding’ gives them a different team from others. They’re not as angry or skillful as Detroit’s Dirtbombs and they’re not as trippy as California’s Best Coast, but they carry your attention down the stretch.

“Crybaby Demon” starts things off with a “She Sells Santuary” guitar intro that takes a left turn towards the Happy Mondays. “Do The Void” plays with a 90’s alt-rock sludge guitar than breaks towards a early 70’s Banana Splits party. To a certain degree, listening to the Crocodiles is a bit like riding a rollercoaster blindfolded – it’s a great adventure and half the fun is not knowing where the hell you’re going next.

You can get the new Crocodiles album Boys on multiple formats at all those places music is being sold.

I Really Want This! Sweet Relief: A Benefit For Victoria Williams – Various Artists

 

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Back in ’93 I was given an album to review that became a best friend of sorts. Surprisingly it was a compilation record (which usually just don’t stand up due to inconsistency) of songs by an artist whose music was only known previously to musicians and music geeks, but it knocked me over. One song after another caught my imagination with vivid imagery and music that could be both morose and uplifting within the same moment. It was brilliant, which is something you usually can’t say for a record recorded by “various artists.” However, what holds it together is the artist to who the album was benefiting – Victoria Williams.

“My sister got bit by a copperhead snake in the woods behind the house” is the first line that pops out the old speakers as Soul Asylum breaks into “Summer Of Drugs” and I as listener was hooked. By the time Evan Dando (of the Lemonheads) sings “Frying Pan” I’ve decided I want to play guitar.  By the conclusion I’m looking for a bullhorn so I can tell any and everyone within earshot that they have to listen and buy this record. Williams’ songs are so detailed in character that songs feel like you’ve both read an exceptional short story and listened to a new musical experience. Despite the different styles of the various artists performing the songs, the original vision of the songwriter herself remains potent and shines through any genre leaping in the album itself.

If you don’t know the story, Williams star was on the rise when she was diagnosed with Multiple Sclerosis. Having been bogged down with debt from increasing medical bills a virtual who’s who of 90’s alt rock and beyond joined forces to help her and others out. The Sweet Relief Charity Fund was set up to help musicians in need of expensive health care.

More than 20 years have gone by and Pearl Jam is still playing their contribution “Crazy Mary” live, and my CD still has a home within twelve inches of the stereo. So, you can see my love for this record runs deep, and I want a vinyl copy… I just didn’t think that one actually existed. That is until the other day when I just started putting album titles into the discogs search engine and… oh my, it exists. But damn… only in European used stores that would raise the price with shipping to over a hundred bucks.

So, I hope that it gets re-issued on vinyl eventually or that the ghost of Ed McMahon shows up at my door with an oversized check.

Sweet Relief can still be purchased at your better record stores on CD and has two follow up LP’s.

Sweet Relief II: Gravity Of The Situation – The Songs Of Vic Chesnutt

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And

Sweet Relief III: Pennies From Heaven

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Check them out, give ‘em a listen, and maybe you’ll want to drop a few dollars to a worthy cause.

P.S. – Here’s a video of Victoria Williams covering the great Sam Cooke