Confused, Remorseful & Angry… It’s Awesome! or Sebadoh – Bakesale

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Back in ’93 a good friend turned me towards the lo-fi sounds of Sebadoh and their initial Sub Pop offering Bubble & Scrape. One listen to the fabulous opening number “Soul & Fire” and I became a forever fan.

Bakesale was released in 1994, and was a slight change of direction for the band in that they had refined the sound now and were becoming more accessible to the alt-rock hipsters. Lou Barlow and Jason Lowenstein were capable of breaking your heart at one moment and smacking you in the head another with their confessional lyrics and fuzzed out guitar work.

“What was that you just said, that didn’t make any sense to me, it’s not the way I see it man, I’m almost tired of listening to you” from the awesome “Not Too Amused” comes off all at once confused, remorseful and angry with the music only adding to the emotional impact. These are themes that play out over the course of the whole record.

Some critics call Bakesale Sebadoh’s finest moment; I’m not sure I would go that far as they have several records that have a giant place in my heart. However, it is certainly a great place to begin if you haven’t listened to them before and vinyl is definitely a great option.

Outside of the original ’94 release, Bakesale was re-mastered in 2011 and has a couple options. The first is your basic black vinyl which also came with a download card and is still available at all your finer record retailers. The second, long sold out edition was on grey splatter vinyl and was sold directly from the Sub Pop online store.

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If you are a fan of those essential records from the 1990’s, Bakesale definitely fits the bill. I’m just hoping Bubble & Scrape and Harmacy eventually see a vinyl re-release. Either that or I may have to start hunting down used copies.

Sebadoh is playing at Lee’s Palace in Toronto tomorrow night (May 27).

The Greatest Air-Guitar Record Ever! or Green Day – Dookie

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Love it or loath it the 90’s punk revival didn’t go mainstream because of Nirvana, Sonic Youth or any of the other champions of noise from 89 to 93. The exact day it started was February 1st 1994 with the release of Dookie, and it was a monster. It sold 10 million copies in the year following its release and has sold another 10 million since. It was fast, it was fun, it was angry, and it was everywhere! It was the kind of record you knew would be HUGE on a single listen, and believe me, that isn’t an easy thing to say as a critic. Arguably, Dookie may even be the greatest air-guitar record ever!

So from a vinyl perspective, it is an obvious and essential part of the collection, but what is available and where the hell do you start?

Well believe it or not, your options are quite limited. You can find a used copy from 1994, of which a dump load of unofficial copies were also released, or you can buy new and there have only been three “official” re-releases since 2008. The first two are re-issues printed in the US and Europe on black 180 gram vinyl and are still widely available.

The last one is slightly more interesting than the others. It is a limited edition green translucent vinyl that had only 1000 copies printed and were sold exclusively at Hot Topic stores in the US. While the limited Dookie sold out long ago, most Hot Topic vinyl is sold under $30.00.  Resellers are asking over $50.00 for the green vinyl now. Of course, if you have a giant whack of cash, you could buy an original 1994 green translucent vinyl or autographed copy for several hundred dollars on the resale market… but … um… that’s a bit out of my price range.

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If you are looking to get a copy, your best bet is still the 2008 180 gram version which sounds great and can be purchased at very reasonable prices at all the usual places.

 

Black Gold For The Masses or Lou Reed – Transformer

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Commercial success and critical acclaim together or apart are not really the true measure of an artist’s work. History and public acceptance can ‘transform’ the perspective and create a re-evaluation, or revisionist history towards how the art is viewed. No other work quite typifies this more than Lou Reed and his second solo effort Transformer.

With the Velvet Underground, Reed became a beacon to the outsider experience and while album sales were low, critics and musicians had found a kind of anti-hero on whom to heap praise. Once the Velvets broke up, Reed continued his stories and of counter-culture misfits but to a more commercialized effect on Transformer. Produced by David Bowie and his guitarist Mick Ronson, Transformer would be heavily influenced by Bowie’s ‘glam’ movement and blur the same androgynous lines. However, Reed would use his own brand of wry observation and deadpan delivery to create characters that lived with and amongst his crowd as opposed to embodying the characters space as Bowie did with Ziggy and Aladdin.

Oddly, it was “Walk On The Wild Side” a song that spoke of transsexuality, oral sex and drug use that propelled the album to heights neither seen by the Velvet Underground or Reed himself in previous efforts. It wouldn’t be until the 1990’s that “Perfect Day” would become an underground hit.

On its release in 1972, Transformer was given mixed reviews by critics who claimed it was overly “art-y” and overly sexual. History of course has shed new light and Transformer has made just about every magazines ‘Best All-Time’ list.

Despite, or maybe due to its recognition, finding vinyl editions of Transformer is pretty easy, but figuring out what works best for you might get a little more difficult. You can find used copies pretty much anywhere. I’m sure a lot of people bought Transformer to get similar material to “Walk On The Wild Side” only to find that it wasn’t like that. As for new, eight official vinyl editions have come out since 2004 with four in just the last three years. On RSD 2012 a straight re-issue was put out in record stores, and is still the most common new copy you will find. In 2013 – 2014 unofficial green and blue versions were released in the UK. Finally, a few weeks ago Newbury Comics put out a Limited Edition half black and half gold version. There were 1200 copies printed and each was gold stamp numbered.

Due to the sheer amount of what is available, you can get most copies of Transformer for less than $30.00 (including the unofficial UK copies). Only the Newbury edition is commanding high prices on the resale market, and that’s pretty damn silly, because you can still get a copy from Newbury for less than $30.00. The split colour looks awesome and indeed sounds great.

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You can get it here. Anyway, with his recent induction into the “Rock Hall” you can expect some renewed interest and copies of Transformer may begin to disappear. You might want to give that some thought if you’ve been sitting on the fence.

 

The Emotional Depth of Flanging and Reverb or Ride –OX4

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There was a time before the 90’s wave of Grunge and Brit-Pop when a generation of music geeks had their collective consciousness turned towards the sounds of a UK movement dubbed “shoegaze.” Known for “wall of sound” like buzz and a variety of guitar effects it was the best possible escape for people tired of pop and hair metal but still loved loud electric guitar as the driver behind the tunes.

Ride was one of the best of the era with their own brand of songs crossed between My Bloody Valentine, The Smiths and even American avant-garde noise rockers Sonic Youth. At the beginning what attracted people to the band was the menagerie of influence pooled together under a banner of rock attitude and loud experimentation.

Unlike classic rock bands that would build a song around a guitar riff using it for the more climatic moments, Ride would use a riff like a wave over the song and change its very dynamic. If you listen to “Like A Daydream” even when the songs driving force is held back during the lyrical sequence, the guitar riff is still present as the basis for the rhythm. What changes is the tone and power with which it is played. The song itself gains more emotional resonance by the riff coasting for the duration rather than any one specific moment. At their best, this is exactly how Ride operated, a lyric of longing surrounded by shimmering guitar lines that buzz meaning with flanging and reverb.

Unfortunately, their existence was a brief eight years and it ended with internal disagreements and some half hearted attempt to go in a more ‘commercial’ direction. Some critics have claimed they fell flat looking for a more Brit-Pop sound, but honestly, after reading some of their more recent interviews, it sounds more like they just lost the motivation to be a band.

Still Record Store Day 2015 was a reminder of what brilliant music they did put out back in the day, with the vinyl re-issue of OX4: The Best Of. Three editions were released on April 18th in three major markets. The UK and Europe saw 500 copies each printed in red translucent vinyl while the North American market printed an additional 5000 copies of the same. As of last week when I was visiting record stores in Toronto I still saw copies around at the regular RSD prices.

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On a cooler note, Ride have worked out all their differences, are back together and currently touring. They’ll be hitting the Danforth Music Hall in Toronto on June 2nd and are being presented by 102.1 The Edge/Spirit Of Radio.

Technicolor Horror Story or Faith No More – Sol Invictus

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So much more than just another ‘alt-rock’ or ‘metal’ band Faith No More could pack influences into music so tightly I would have no other choice but to call it ‘genre skipping.’ Crazy as that sounds they do it in individual songs. Funk, hip hop, metal, and even easy listening soft rock balladry naturally bounce around so well you’ld think they were a basketball.

Add that to the fact that Mike Patton is the best living rock vocalist on the planet (seriously, he has a vocal range that stretches six octaves) and you have a powerful explanation as to why music fans are salivating at the mere thought of a new Faith No More record.

Eighteen years between records and Faith No More not only picks up from where they left off, but do it as if both a love letter to fans and kiss off to anyone else. In fact, the feel of Sol Invictus is far more reminiscent of Angel Dust than the commercially lauded The Real Thing. The result is an album that just seems to go in whatever direction the wind is blowing at any given moment. Which isn’t to say that Faith No More lets anything get away from them, but rather that the transitions seem natural.

The title track opens with a bit of a circus atmosphere before breaking off into atmospheric melody. “Superhero” takes medal riffs and builds them towards a climatic cliff that is followed by the sinister “Sunny Side Up” which comes off as the proclamations of a narcissist. Characters are littered throughout Sol Invictus creating a type of epic short story one might imagine as the work of Flannery O’Connor or Richard Bachman. Listening to “Black Friday” as it describes living in the “age of the mercenary” comes with the realization that hope is a matter of perspective. Faith No More may not have created a pop masterpiece, but they have made a record that tells dark stories of broken people in vivid sonic colours. Sol Invictus is an album that stays with you long after the needle has lifted, and compelling enough to keep you up long after your head hits the pillow.

For you fans of vinyl, Faith No More have given you a couple options. Sol Invictus can be ordered in clear (limited edition) or black 140 gram vinyl and of course their web store also has a variety of bundles to make a true music geek happy.

TAKE THAT, FOUR OF A KIND! or Queens Of The Stone Age – … Like Clockwork

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To say that …Like Clockwork was a loved record would be an understatement, it was pretty much universally praised as a great record. In hindsight Josh Homme was screaming to the world that Queens Of The Stone Age were now the greatest hard rock band since “fill in your own blank.” Almost two years since its release and “I Sat By The Ocean” can be heard almost daily on the radio. Josh Homme must have had an inkling it was great before it was even released because he handed fans an abundance of options to not only purchase it in multi formats, but four different vinyl versions as well. Three of those wax options were on the very day of release.

1) 2x vinyl 12” that plays at 45rpm with a red cover

2) 2x vinyl 12” limited edition (10000 copies) 150 gram vinyl plays at 45 rpm with a blue album cover

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3) 2x vinyl 12” limited edition 180 gram vinyl plays at 45rpm with an oversized gatefold cover containing a 20 page book

Then, with the album already selling very well came Record Store Day/Black Friday and the band put out option #4; the so called Black On Black Friday Edition. Limited to 2400 copies the cover art was in black and inside was a 180 gram vinyl record.

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Now the funny thing about these options, are the crazy prices that vinyl resellers are asking for them.  In some cases, sealed copies of the black cover and the blue cover editions have asking prices of over a $100.00 but used copies can be found for under $35.00. Funnier still were that I found people asking $35.00 for a new copy of the standard red cover edition and the deluxe book set for another $100.00. The reason I find this funny is that the bands own website still has these for sale for less money. WAY LESS! The standard vinyl is $19.99 and the deluxe is $44.99 American.

Honestly, if you’re looking at purchasing …Like Clockwork on vinyl, go to your local record store before you start thinking about the online re-sellers. Great sounding new records are still available. I’ve even seen a couple of the blue covers kickin’ around at regular prices.

If You’re Late For Dinner… or Clap Your Hands Say Yeah – Eponymous

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I have no idea what it was like in your house growing up, but in mine being ‘late to the table’ was a sure way to lose out on after dinner goodies. However, this whole ‘vinyl revival’ thing makes it so you can be years late to the table and still enjoy a great dessert.

Such is the case with the fabulous self-titled debut by Clap Your Hands Say Yeah. It has been 10 years since their initial offering and in celebration the band is re-issuing their out of print eponymous record with an additional recording of songwriter Alec Ounsworth doing a solo acoustic live show.

Just in case you may have forgotten Clap Your Hands Say Yeah popped onto the scene in spectacular fashion garnering rave reviews on both sides of the ocean and beyond. Names like Modest Mouse, Neutral Milk Hotel, Ride, and the Talking Heads have been used to describe them (Ounsworth’s voice does resemble a higher pitched David Byrne) but really they are a really well balanced stew of many influences. You can hear various styles dating from the 80’s to the present, which just means it is pretty hard to them pin down from one song to the next. Listen to it with friends sharing a couple bottles of wine and you could have an interesting conversation about what you hear and how good it is.

Out on June 2nd, the wax re-issue will be pressed on gold translucent vinyl and both the CD and LP versions will include download cards of the original release and live material.

On The Subject of Bucket Lists and Bands #1 or Dressy Bessy – Holler & Stomp

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Sometimes you need a bit of candy to see you through the dark corners of life, and sometimes music itself needs to be lit up in bright colours if only to liven things up after a downpour; that’s when Dressy Bessy entered.

After the dreariness that was rock music in the early 90’s and the arrogance that was Brit-pop in the mid 90’s some kind of intelligent fun was needed. No one wanted a return to the days of hair-metal but what could fill the void?

Well the 90’s did provide us with some direction with power-pop bands like Shonen Knife, the 5,6,7,8’s, Matthew Sweet and The Posies, but another step was needed, and Dressy Bessy jumped right into my heart.

The dual guitar work of Tammy Ealom and John Hill provided promise to this music stalwart while Ealom’s delivery and lyrics had me dreaming of the sunnier side of things. Sure they sang songs of sunshine and their tones were 60’s surf/garage/Phil Spector poppy, but they just weren’t being over the top in their quest to relate. Instead it was sunny skies, sarcasm and observational humour used in a similar style to Cracker that had me fall for them. The only problem for me is that they never seem to make their way north to Toronto and they are pretty high on my bucket list of bands. Dressy Bessy just looks like they would be a whole lot of fun to see live.

Anyway, after my initial discovery of their music back in ’99 and then getting the old mail order CD’s from their various record companies and distributors over the years – I finally see the vinyl for Holler & Stomp.

It is gorgeous.

150 Gram Pink Splatter Vinyl

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It sounds absolutely fantastic; especially on a summer day with a margarita, a comfy chair and a nice bit of shade. Which is kinda the point when I listen to their music; it’s a cool escape.

You can order it here. You can also hear a great song from Holler & Stomp below… Enjoy Folks!

 

Where To Buy S#!t vol. 1 – Last Gang Records

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Whenever possible I usually try to direct people to a bands website or their label to purchase their record. The reasons for this are pretty simple. One – the actual band gets money flowing directly to them, or at least to the people who work with them. Two – the coolest deals are to be found in these places.

This is the case with Last Gang Records.

The label started as a way to get the music of Metric out to the public and from that point on they’ve grown to support a virtual ton of great acts that include: Metric, Death From Above 1979, K-OS, The New Pornographers, Billy Talent, A.C. Newman, Lindi Ortega and many many more.

As a hunter for cool vinyl to go with the music I love, they usually offer outstanding wax for music fans.

On a post from a few months back, I mentioned The New Pornographers most recent release Brill Bruisers. Last Gang produced four vinyl versions of 175 copies each in different colours. They also included a 3D poster of the neon light cover and 3D glasses to make the thing leap off the page. It was very cool.

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Then yesterday I’m checking out different web stores and BANG!

There it is, the lost Metric record on vinyl for the first time. Grow Up and Blow Away was recorded from 1999 to 2001 but due to record company bungles  (not Last Gang – they didn’t even exist at the time) it never saw an official release until 2007. It took seven more years for this beautiful piece of wax to get produced. It is on blue marble translucent vinyl and once again, compared to the download, the vinyl sounds way better.

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Check out the Last Gang line up here, and if you like, you might just want to get on their mailing list. AND (I almost forgot) If you live in the Greater Toronto Area you can opt to pick your purchase up and save on the delivery charge. Just make sure you make a quick decision as these offers do sell out pretty quick.

More Than Meets The Eye or Django Django – Born Under Saturn

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I’ve never really found a soft spot for electronica, and I’ve never worshipped at the altar of Kraftwerk. I say this because it seems that when you have bias against the master, you’re just not going to like the apprentice; except, like in life, things aren’t always that straight forward. Where you might hear Kraftwerk I hear Depeche Mode; where you might identify with echoes of Primal Scream I hear whispers of pre ‘wall of sound’ rock ‘n’ pop and when you say Animal Collective I mention Pink Floyd.

All this means is that influences as descriptors gets old fast and the music has to stand on its own merits. Certainly their Mercury nominated self titled debut managed that in spades, but can they continue to do so?

Well, yeah!

Opening track “Giant” is a slow burner that rides waves of psychedelia to create an atmospheric mood pool. The second song “Shake and Tremble” starts with a “Peter Gunn Theme” like riff before breaking into a minimalistic early rock style you might think was Phil Spector producing a lo-fi record.

Each song has these elements that contain little nuggets of influence and sound that seem to drift up and down as if they were a bubble in a light breeze. A funky base leads to a carousel, or a synth line turns all 60’s go-go dance.

Born Under Saturn is like taking a drive (as a passenger) in a convertible with a blindfold on; you don’t know where the hell your going but the journey sure feels incredible.

The other cool thing about this release is the work that Django Django has done to impress their fans. While you can get Born Under Saturn in multiple formats you need to check out the bands vinyl option with Rough Trade, it is absolutely gorgeous.

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